Archive

Shannon Estlund and Jim Hittinger, Paintings and Drawings

GRAVEYARD SHIFT: Drawings/Paintings by Jim Hittinger
LOW VISUAL DISTANCE: Paintings by Shannon Estlund

Exhibition Dates: August 12-27, 2017
Opening Reception: Saturday, August 12, 7-10pm
Gallery Talk: Saturday, August 12, 7-8pm

Jim Hittinger, Procession, oil on canvas, 36 x 48”, 2017
Jim Hittinger

About Jim Hittinger’s GRAVEYARD SHIFT: Graveyard Shift explores a sparsely populated world littered with empty lots, depleted suburban subdivisions, and chain-link fences tracing the confines of sites where things once were. Beacons and warning signs mark isolated islands of activity within the void: flags, sirens, neon markings on diseased trees, used car lot inflatable dancing men. The entire world is the outskirts of somewhere else. On the surface the world appears lifeless, but its inhabitants go through the motions of living; they celebrate holidays, bury their dead, and play baseball.

Snowman, 2016
Snowman

Jim Hittinger received a Bachelor of Fine Arts degree from Wayne State University in Detroit, Michigan in 2012 and a Master of Fine Arts degree from The University of Minnesota in 2015. His work has been widely exhibited locally and nationally, including recent exhibitions at Whitdel Arts in Detroit, Tyler School of Art in Philadelphia, and Rosalux Gallery in Minneapolis. He currently teaches in the Department of Art at The University of Minnesota. Jim Hittinger

Shannon Estlund, Untitled, oil on canvas, 48 x 60”, 2017 Shannon Estland

 

 

 

 

 

 

 

 

 


About Shannon Estlund’s LOW VISUAL DISTANCE:
Shannon Estlund’s abstracted landscapes are inspired by Rice Creek and the surrounding forest near her home in Fridley, Minnesota. The title Low Visual Distance refers to the way that dappled light, physical obstructions, and abstractions of form complicate an objective understanding of these spaces. Instead, the paintings offer a psychological interpretation of each site. The subjects of the paintings, which include downed trees, stagnant pools, and tangles of brush, demonstrate various states of growth and decay. Subjects are rendered using overlapping imagery, expressive color, repeating pattern, and abstracted form as a metaphor for a subjective and ever-changing perception of reality. The paintings in this exhibition represent a practice in becoming comfortable with the unknown and appreciating the impermanent and interdependent nature of all things.

Fifty Three Degrees, 2017
Fifity Three Degrees

Shannon Estlund holds a Master of Fine Arts in Visual Studies from the Minneapolis College of Art and Design and received her B.F.A. from the University of Florida. Shannon currently teaches at the Minneapolis College of Art and Design and Augsburg College. She has received several grants for her work from the Minnesota State Arts Board and the Community Foundation. She has exhibited her work nationally and internationally at museums and galleries including the Crisp Ellert Art Museum (FL), the Elmhurst Art Museum (IL), Soo Visual Art Center (MN), the Cummer Museum of Art and Gardens (FL), and at the National Galleries of Scotland. Her work has been featured in New American Paintings and Studio Visit magazines. Shannon Estlund is a fiscal year 2017 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund. Shannon Estlund

Unnamed





 

Amelia Biewald, Treats / John Gaunt, Rocking Chair

Amelia John

Rosalux Gallery, July 8th – July 30th 2017

Opening Reception: July 8th, 7-10pm
1400 Van Buren Street NE, #195
Minneapolis, MN 55413

Amelia Biewald:

In a style that has become distinctly her own, Amelia Biewald intertwines imagery of romantic and powerful female figures, animals, real and imagined histories, and landscapes. Employing a wide range of materials, she creates lands full of sensual and alluring surfaces and textures, often combining references to the Old Masters and Surrealism with contemporary culture. Biewald mingles fact with fiction to recreate fables or intrigues. She captures states of transformation and curious unions seeking the pinnacle of a supernatural beauty.

Image2
Sausage Walkers, 2017, watercolor on rag paper, 11 x 11 inches.

In her upcoming show at Rosalux Gallery, Treats, Biewald paints her recent research into Renaissance eating and banquet culture. She creates scrumptious and alluring food presentations appropriate for the grandest dinner party. No grocery stores, no pre-packaged meats. During the Renaissance, if you could catch it, you ate it, and usually ALL of it. Let’s just say we are very picky and boring in our eating habits as compared to those of the 16th century…and the display of our comestibles is far less grand.

Artist Bio

Amelia works with a wide variety of materials creating painterly drawings and sculptural works, which often culminate in large multi-textural installations. She received a BFA from The Rhode Island School of Design and Goldsmith’s College, University of London and then pursued installation artwork at the Minneapolis College of Art and Design where she received her MFA. She has received various artist awards, residencies and fellowships for her work including The Skowhegan School Of Painting & Sculpture Residency, a Bush Foundation Fellowship and a Jerome Foundation Fellowship. She recently completed artist residencies at Art Garda, Sirmione, Italy and The Wassaic Project, NY. Amelia’s solo exhibition Autour De La Fin Du Monde was on view at The Soo Visual Arts Center in 2016.

John Gaunt

I have an empiricist approach to making. In recent years I have been developing a kind of “graphic scaffolding” inspired by weather and the shifting architecture of rivers. This scaffolding or intuitive gesture has become a malleable motif for me across artistic processes – allowing me to generate new combinations of abstract structures, illusionistic spaces and diagrammatic drawing. The accumulation of this practice is beginning to yield a kind of personal topology.

Mend
Mend, Oil on Canvas, 22″ x 26″

Artist Bio

John Gaunt has been active in university teaching since 1995. Educated in the United States and abroad, he maintains a studio practice in Minneapolis that embraces generative processes through painting, drawing and model building. Gaunt is a member of Rosalux Gallery in NE Minneapolis where he exhibits his work annually.

Building on a career that began as a realist painter, Gaunt has distilled his research into an abstract language that is at once gestural and restrained. Interested in the idea of painting and drawing serving as a proposition, the work offers closure yet resists naming – a desirable tension that occupies his current practice.

His work has been exhibited regionally and nationally and acquired in both public and private collections. He has held numerous visiting artist and guest lecturer positions including, the Burren College of Art in Ireland, the International Academy Neukloster Germany, School of Architecture and Urban Design at the University of Kansas, Gustavus Adolphus College, Cazenovia College, University of Minnesota, Hamline University, and University of Wisconsin Stout.





 

Rosalux Artists receive MSAB Arts Initiative Grant

Roslaux artists Elaine Rutherford, Shannon Estlund, Betsy Alwin, and Melissa Loop received the 2017 Minnesota State Arts Board Arts Initiative Grant.  Congratulations!

Elaine Rutherford – mixed media painting  rutherfordelaine.wordpress.com

Shannon Estlund – painting and sculpture  shannonestlund.com

Betsy Alwin – betsyalwin.com

Melissa Loop – painting  melissaloop.com

Elaine Rutherford

 

 

 

 

 

 

 

 

Shannon Estlund

 

 

 

 

 

 

 

 

 

 

Betsy Alwin

 

 

 

 

 

 

 

 

Melissa Loop





 

Jim Hittinger’s Open Studio Feb. 24, New Rosalux artist

New Rosalux artist, Jim Hittinger, has an Open Studio event Fri. Feb. 24th, 7 – 10 PM.
Come take a look at what Jim and 2 other artists Teréz Iacovino and Julia Maiuri have been working on in the studio. Visit Jim’s art website at jimhittinger.com

 Location: 1110 Stinson Blvd., Mpls., MN 55413.
16298727 10154743133930751 7805376007424671916 N





 

New Rosalux Artists, Jim Hittinger, Betsy Alwin, John Gaunt

Rosalux is pleased to announce three new artist members.

Jim Hittinger, figurative drawing and painting.  jimhittinger.com
Betsy Alwin, ceramic sculpture.  betsyalwin.com
John Gaunt, abstract painting. portfolio/john-gaunt

John Gaunt

Jim Hittinger

Betsy Alwin

 





 

LAURA STACK / MELISSA LOOP OPENING 9/10 AT ROSALUX GALLERY

Two solo Painting shows at ROSALUX GALLERY

LAURA STACK: FLUERE  
MELISSA LOOP: FABRICATED REAL

Opening Reception: Saturday, September 10, 7-10pm
Exhibition Dates: September 3 – 25, 2016
Gallery Hours: Saturdays & Sundays, 12 – 4pm or by appt.
rosaluxgallery.com

Rosalux Gallery is pleased to present two solo shows by Minneapolis artists Laura Stack and Melissa Loop. In Fluere, Stack’s abstract ink paintings suggest an amalgam of the natural and the synthetic where shapes morph into odd, though vaguely familiar forms and ink patterns bloom, dissolve, and disperse. In Fabricated Real, Loop’s landscape paintings use her travels to Mayan ruins in Central America as a subject to explore notions of how we form assumptions about authenticity, place, and spirituality through our explorations and ill-informed ideas of other cultures.
Artist’s website: Laurastackart.com and Melissaloop.com

Laura Stack Fluere 12

Laura Stack / Fluere 12 / ink on paper / 48″ x 95″ / 2016

Web Promo Image 500px Melissa Loop

Melissa Loop / Great Sorrow / Acrylic on canvas / 96” x 72″

Save





 

LAURA STACK and MELISSA LOOP at ROSALUX GALLERY SEPT. 2016

ROSALUX GALLERY

LAURA STACK: FLUERE  
MELISSA LOOP: FABRICATED REAL

Opening Reception: Saturday, September 10, 7-10pm
Exhibition Dates: September 3 – 25, 2016
Gallery Hours: Saturdays & Sundays, 12 – 4pm or by appt.

Stack-Loop show

Rosalux Gallery is pleased to present two solo shows by Minneapolis artists Laura Stack and Melissa Loop. In Fabricated Real, Loop’s landscape paintings use her travels to Mayan ruins in Central America as a subject to explore notions of how we form assumptions about authenticity, place, and spirituality through our explorations and ill-informed ideas of other cultures. In Fluere, Stack’s abstract ink paintings suggest an amalgam of the natural and the synthetic where shapes morph into odd, though vaguely familiar forms and ink patterns bloom, dissolve, and disperse.
Contact at artist’s website: Laurastackart.com and Melissaloop.com

Laura Stack’s hyper-color ink paintings allude to a bodily, cellular or chemical world with its own rules and physics. Her work suggests paradoxes and simultaneities; the paradox that living things can now embody synthetic elements, the simultaneity of flatness and depth, and the illusion of movement that can be suggested within still images. Stack’s art practice is motivated by her curiosity in nature and science. Her paintings are an imagined mirroring of artificial biological or what we might call the “new natural”.

Laura Stack, Fluere 3, ink on paper, 26"x 20"

Laura Stack, Fluere 3, ink on paper, 26″x 20″

About these paintings, Melissa Loop says: “I was in Tikal sitting on top of the highest temple after sunset with about a dozen other tourists. We were listening to our Mayan guide tell us a story about him and his twin brother born in the rainforest. The Mayans believe that twins are of the gods. A sign of good luck. In the distance, the tops of the other temples peaked above the rainforest and we watched a lightning storm dance in the sky. Part of the scene was a setup created for us tourists. However, part of it was a rare moment in time that contained all of the mystic and spiritual clarity that we search for when traveling to faraway places. The setup cliche became an actual moment of transendence. By making these half fantasy paintings, I participate in the cliche. However, I can’t help but search for those rare moments where everything transcends and becomes magical again.”

Web Promo Image 500px Melissa Loop

Melissa Loop, Great Sorrow, acrylic on canvas, 96” x 72″

Rosalux Gallery, 1400 Van Buren St NE, Minneapolis, MN 55413.
Hours: Saturdays and Sundays noon-4pm.

Save

Save

Save





 

Terrence Payne in “I AM Kindness” Show on Feb. 27th

 





 

Art Talk Laura Stack, Val Jenkins, Christina Schmid at Rosalux Gallery

LAURA STACK, VALERIE JENKINS and invited guest CHRISTINA SCHMID gave an ART TALK ABOUT PAINTING, DRAWING AND ABSTRACTION in conjunction with Stack and Jenkins’ January 2016 Rosalux Gallery exhibit.
Photos of the event:

 Christina Schmid, Val Jenkins, Laura Stack, Art Talk at Rosalux Gallery

Christina Schmid, Val Jenkins, Laura Stack, Art Talk at Rosalux Gallery

 

Christina Schmid, Val Jenkins, Laura Stack Art Talk at Rosalux Gallery

Christina Schmid, Val Jenkins, Laura Stack Art Talk at Rosalux Gallery

Exhibit installation Laura Stack and Valerie Jenkins at Rosalux Gallery

Exhibit installation Laura Stack and Valerie Jenkins at Rosalux Gallery

Best MSAB Logo Credit

 

 

 

 

 

 





 
 

« Older Entries