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Amelia Biewald, Treats / John Gaunt, Rocking Chair

Amelia John

Rosalux Gallery, July 8th – July 30th 2017

Opening Reception: July 8th, 7-10pm
1400 Van Buren Street NE, #195
Minneapolis, MN 55413

Amelia Biewald:

In a style that has become distinctly her own, Amelia Biewald intertwines imagery of romantic and powerful female figures, animals, real and imagined histories, and landscapes. Employing a wide range of materials, she creates lands full of sensual and alluring surfaces and textures, often combining references to the Old Masters and Surrealism with contemporary culture. Biewald mingles fact with fiction to recreate fables or intrigues. She captures states of transformation and curious unions seeking the pinnacle of a supernatural beauty.

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Sausage Walkers, 2017, watercolor on rag paper, 11 x 11 inches.

In her upcoming show at Rosalux Gallery, Treats, Biewald paints her recent research into Renaissance eating and banquet culture. She creates scrumptious and alluring food presentations appropriate for the grandest dinner party. No grocery stores, no pre-packaged meats. During the Renaissance, if you could catch it, you ate it, and usually ALL of it. Let’s just say we are very picky and boring in our eating habits as compared to those of the 16th century…and the display of our comestibles is far less grand.

Artist Bio

Amelia works with a wide variety of materials creating painterly drawings and sculptural works, which often culminate in large multi-textural installations. She received a BFA from The Rhode Island School of Design and Goldsmith’s College, University of London and then pursued installation artwork at the Minneapolis College of Art and Design where she received her MFA. She has received various artist awards, residencies and fellowships for her work including The Skowhegan School Of Painting & Sculpture Residency, a Bush Foundation Fellowship and a Jerome Foundation Fellowship. She recently completed artist residencies at Art Garda, Sirmione, Italy and The Wassaic Project, NY. Amelia’s solo exhibition Autour De La Fin Du Monde was on view at The Soo Visual Arts Center in 2016.

John Gaunt

I have an empiricist approach to making. In recent years I have been developing a kind of “graphic scaffolding” inspired by weather and the shifting architecture of rivers. This scaffolding or intuitive gesture has become a malleable motif for me across artistic processes – allowing me to generate new combinations of abstract structures, illusionistic spaces and diagrammatic drawing. The accumulation of this practice is beginning to yield a kind of personal topology.

Mend
Mend, Oil on Canvas, 22″ x 26″

Artist Bio

John Gaunt has been active in university teaching since 1995. Educated in the United States and abroad, he maintains a studio practice in Minneapolis that embraces generative processes through painting, drawing and model building. Gaunt is a member of Rosalux Gallery in NE Minneapolis where he exhibits his work annually.

Building on a career that began as a realist painter, Gaunt has distilled his research into an abstract language that is at once gestural and restrained. Interested in the idea of painting and drawing serving as a proposition, the work offers closure yet resists naming – a desirable tension that occupies his current practice.

His work has been exhibited regionally and nationally and acquired in both public and private collections. He has held numerous visiting artist and guest lecturer positions including, the Burren College of Art in Ireland, the International Academy Neukloster Germany, School of Architecture and Urban Design at the University of Kansas, Gustavus Adolphus College, Cazenovia College, University of Minnesota, Hamline University, and University of Wisconsin Stout.





 

Vivid Relics: Shawn McNulty and Michael Sweere

RosaluxPoster

Opening Reception: June 3 rd , 7-10pm
Exhibition Dates: June 3 rd -25 th 2017

Rosalux Gallery presents “Vivid Relics” – a new exhibition featuring the dynamic
paintings of Shawn McNulty and folk-inspired works by Michael Sweere. Each artist
creates work that commands the attention of the viewer, and both McNulty and Sweere
are featured in the U.S. Bank Stadium art collection.

Artery McNulty

Shawn McNulty’s signature abstractions have evolved over the past 20 years into a
more organic territory with some subtle ties back to his geometric pieces with rigid
edges. He utilizes a “shoe palette knife,” which allows him to work the canvas on the
floor with his feet, along with random tools like a Swiffer and pieces of plastic. The
result of this process is refreshing and innovative forms comprised of thick acrylic and
pumice, along with his masterful grasp of color theory. McNulty is essentially an action
painter, but there’s a heavy dose of energized color fields throughout his work, which
lend itself to a “calmness over chaos” vibe. His work can be found in private and
corporate collections all over the world including that of General Mills and President Bill
Clinton.

 

Musky Sweere

With the recent installation of his mural at the new Webber Park Library in Minneapolis,
Michael Sweere shifts gears and brings something completely different to Rosalux
Gallery in June. Mr. Sweere’s affinity of American folk art is evident in his newest
installation. A detour from his familiar mosaic work, the exhibition features a wide
range of polychromed (painted) woodcarvings. His characters – inspired
by imagination, native tales and urban folklore invite viewers of all ages to experience
the wonder of “Folk-O- Rama.”

Banner Images:

Tombstone, Shawn McNulty 40×80” (diptych) acrylic and pumice on canvas

Animal Woodcarvings, Michael Sweere – various sizes

Press Release Images:

Artery, Shawn McNulty, 40″ x 40″ acrylic and pumice on canvas

Muskie, Michael Sweere, Tin-wrapped woodcarving

 





 

Rosalux Artists receive MSAB Arts Initiative Grant

Roslaux artists Elaine Rutherford, Shannon Estlund, Betsy Alwin, and Melissa Loop received the 2017 Minnesota State Arts Board Arts Initiative Grant.  Congratulations!

Elaine Rutherford – mixed media painting  rutherfordelaine.wordpress.com

Shannon Estlund – painting and sculpture  shannonestlund.com

Betsy Alwin – betsyalwin.com

Melissa Loop – painting  melissaloop.com

Elaine Rutherford

 

 

 

 

 

 

 

 

Shannon Estlund

 

 

 

 

 

 

 

 

 

 

Betsy Alwin

 

 

 

 

 

 

 

 

Melissa Loop





 

Time/Keep : David Malcolm Scott and Rebecca Krinke

DMS RK Slider

David Malcolm Scott, Lake Superior Vista                         Rebecca Krinke, The Keep (detail)

Time/Keep : David Malcolm Scott and Rebecca Krinke

Exhibition: April 1 – 30, 2017
Opening Reception: Saturday, April 8, 7-10pm

Rosalux Gallery is pleased to announce Time/Keep, an exhibition of new work by David Malcolm Scott and Rebecca Krinke featuring a large-scale sculptural work by Rebecca and a suite of paintings and drawings by David. The exhibition brings together the artists’ shared interest in time and memory, with a particular interest in what can be remembered or recorded and what can only be sensed or imagined.

David Malcolm Scott presents a new series of works exploring time and place – featuring a 30’ long watercolor scroll that literally starts with the formation of galaxies and moves forward through terrestrial epochs. David then uses this piece with its timeline format to add small scroll paintings above and below to reveal memories and dreams of one person’s life, in this case, the artist himself.

Time and place are highlighted in different ways in David’s two other series on view: in Weekly Commute, vivid slices of the sky are seen framed by dramatic building silhouettes, and in the stylized landscapes, the deep time of geological formations are juxtaposed with the more fleeting forms of forests, grasses, cities, and skies.

Rebecca Krinke presents a large installation, The Keep, which creates a domestic, psychological space of wonder and terror. The Keep continues her series of bed sculptures, although here a charred 4-poster bed hangs from the ceiling, upside down, bound by black-feathered walls – becoming a more abstract container/portal of space. Stacks of her dozens of black bound notebooks are visible but inaccessible on the burned wood floor below.

“Keep” as a noun originated in the Middle Ages, and was a place used as a refuge of last resort should the castle fall to an adversary. Rebecca’s installation evokes questions about what we keep, where we keep, and the costs of keeping: memories, secrets, notebooks, relationships, possessions, houses…This work and her larger practice is both highly personal and collective – in its explorations of private, public, and liminal space.

 

For more info about the artists:

http://rebeccakrinke.com/
http://www.davidmalcolmscott.com/

Rosalux Gallery
1400 Van Buren Street NE, #195
Minneapolis, MN 55413





 

LAURA STACK at CIRCA GALLERY in TWISTED TRYST: CIRCA + OMFORME

Rosalux artist, Laura Stack, is showing her Fluere ink paintings at Circa Gallery in the Twisted Tryst: Circa + Omforme exhibit.
Exhibition Dates: February 11 – March 25, 2017.

circagallery.org  Gallery hours: Tues.–Fri. 1–6 pm | Saturday 11 am–4 pm
210 N First Street Minneapolis MN 55401 | 612.332.2386

The Eccentric Fetish of Omforme furniture plays off the luscious colors and textures of Circa artists’ paintings. See more of Laura Stack’s painting at Laurastackart.com

Fluere # 8, ink painting on paper, 26″ x 20″ – Laura Stack                                                         
Laura Stack Fluere 8

 

 

 

 

 

 

 

 

 

 

 

 

 


Shapeshifter 37, ink painting on paper, 26″ x 20″ – Laura Stack
Laura Stack Shapeshifter 37

Furniture Goes to the Gallery with Omforme & CIRCA’s “Twisted Tryst”





 

New Rosalux Artists, Jim Hittinger, Betsy Alwin, John Gaunt

Rosalux is pleased to announce three new artist members.

Jim Hittinger, figurative drawing and painting.  jimhittinger.com
Betsy Alwin, ceramic sculpture.  betsyalwin.com
John Gaunt, abstract painting. portfolio/john-gaunt

John Gaunt

Jim Hittinger

Betsy Alwin

 





 

Laura Stack and Terrence Payne in SooVac’s Untitled 13 Exhibit

Laura Stack’s ink painting and Terrence Payne’s oil pastel work was selected to be in
Untitled 13, a juried exhibition at Soo Visual Arts Center in Minneapolis, MN

Opening Reception: Saturday, February 11, 2017 6-9PM
Show Runs: February 11 – March 25, 2017

Participating Artists: Byron Anway, Deidre Argyle, Josette Ghiseline, Lindsy Halleckson, Anders Johnson, Daniel McCarthy-Clifford, Erica Meier, Terrence Payne, Tim Portlock, Christopher Rowley, Susan Solomon, Laura Stack, Gabriel Strader Brown, Holly Streekstra, Joshua Stulen, and Sam Van Vo

Untitled 13 marks the thirteenth year of SooVAC’s juried exhibition series. Untitled provides opportunities for artists working in any medium and at any stage of their career, resulting in a survey of varied perspectives and provocative work. Each year SooVAC invites guest jurors to select the work, this year it was Dean Otto and Astria Suparak. Every juror provides a unique aesthetic and curatorial viewpoint, giving the public an opportunity to view fresh artistic voices with every new installment of Untitled. More Information at www.soovac.org/untitled13

Laura Stack, Fluere 16, ink painting collage, 2016


 

 

 

 

 

 

 

 

 

 

 

 

Terrence Payne, oil pastel on paper, 2016
Family Was My Safeword Unti 535x538

 





 

Laura Stack at CIRCA GALLERY “Winter Salon” Exhibit

LAURA STACK is a new artist at CIRCA GALLERY and her paintings are part of the Circa “Winter Salon” exhibit. Stack’s painting “Fluere #8” was featured in the recent Star Tribune review of  the “Winter Salon”.
www.startribune.com/circa-gallery

Laura Stack Fluere 8

Laura Stack, “Fluere 8″, ink painting, 26″ x 20”





 

LAURA STACK and MELISSA LOOP at ROSALUX GALLERY SEPT. 2016

ROSALUX GALLERY

LAURA STACK: FLUERE  
MELISSA LOOP: FABRICATED REAL

Opening Reception: Saturday, September 10, 7-10pm
Exhibition Dates: September 3 – 25, 2016
Gallery Hours: Saturdays & Sundays, 12 – 4pm or by appt.

Stack-Loop show

Rosalux Gallery is pleased to present two solo shows by Minneapolis artists Laura Stack and Melissa Loop. In Fabricated Real, Loop’s landscape paintings use her travels to Mayan ruins in Central America as a subject to explore notions of how we form assumptions about authenticity, place, and spirituality through our explorations and ill-informed ideas of other cultures. In Fluere, Stack’s abstract ink paintings suggest an amalgam of the natural and the synthetic where shapes morph into odd, though vaguely familiar forms and ink patterns bloom, dissolve, and disperse.
Contact at artist’s website: Laurastackart.com and Melissaloop.com

Laura Stack’s hyper-color ink paintings allude to a bodily, cellular or chemical world with its own rules and physics. Her work suggests paradoxes and simultaneities; the paradox that living things can now embody synthetic elements, the simultaneity of flatness and depth, and the illusion of movement that can be suggested within still images. Stack’s art practice is motivated by her curiosity in nature and science. Her paintings are an imagined mirroring of artificial biological or what we might call the “new natural”.

Laura Stack, Fluere 3, ink on paper, 26"x 20"

Laura Stack, Fluere 3, ink on paper, 26″x 20″

About these paintings, Melissa Loop says: “I was in Tikal sitting on top of the highest temple after sunset with about a dozen other tourists. We were listening to our Mayan guide tell us a story about him and his twin brother born in the rainforest. The Mayans believe that twins are of the gods. A sign of good luck. In the distance, the tops of the other temples peaked above the rainforest and we watched a lightning storm dance in the sky. Part of the scene was a setup created for us tourists. However, part of it was a rare moment in time that contained all of the mystic and spiritual clarity that we search for when traveling to faraway places. The setup cliche became an actual moment of transendence. By making these half fantasy paintings, I participate in the cliche. However, I can’t help but search for those rare moments where everything transcends and becomes magical again.”

Web Promo Image 500px Melissa Loop

Melissa Loop, Great Sorrow, acrylic on canvas, 96” x 72″

Rosalux Gallery, 1400 Van Buren St NE, Minneapolis, MN 55413.
Hours: Saturdays and Sundays noon-4pm.

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Rosalux Gallery Minneapolis’ Top Art Galleries according to TheCultureTrip.com

Rosalux Gallery Minneapolis’ Top 10 Contemporary Art Galleries according to The Culture Trip a national online Arts and Culture magazine.

The Culture Trip is a national online magazine for art, food, culture, and travel. Rosalux Gallery was rated third after Midway Contemporary Art and The Walker Art Center.

Read about it here http://theculturetrip.com/north-america/usa/minnesota

 





 

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