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Laura Stack at Circa Gallery, Dec. 2 – Jan. 13

LAURA STACK ‘s colorful organic ink paintings are in CIRCA GALLERY’s Winter Salon exhibit.
Group show including work by Circa Gallery Artists.

EXHIBITION DATES: December 2 – January 13, 2018
Info at circagallery.org/laurastack

Laura Stack creates ink paintings and collages that are an imagined view of artificial life or the
“new natural”. Her painting process begins by envisioning a fluid, bodily, cellular, or chemical world expressing its own laws of physics. Organic forms such as fungi and microscopic life and the biological processes of lava flow and branching inspire the painting imagery. She coaxes the ink across the paper’s surface, corralling, halting, spreading, and encouraging its direction. The ink shapes then morph into tendrils or bloom and disperse. Through physical gestures and the fluidity of the ink, she aims to create a sense of pulse and movement.

Stack’s work evokes contradictions – the embodiment of the natural and synthetic, the simultaneity of flatness and depth, and the illusion of movement within a still image. There is no logical reading of these paintings. They are a mirroring of the mysterious questions that define our changing relationship with the natural world.  See more of Laura’s artwork at laurastackart.com

Fluere #27 / ink painting collage on panel / 20″ x 20″

Laura Stack Fluere 27

Laura Stack





 

Rosalux “Open Door 13” Group Show, Reception Dec. 9th

ROSALUX GALLERY is proud to announce it’s Thirteenth Annual OPEN DOOR Exhibit, opening on December 2nd, 2017.

Reception: December 9th, 7 – 10 pm
Exhibition Dates: December 2nd – 30th, 2017

OPEN DOOR is the one time of year when Rosalux opens its doors to artists outside of the collective in the form of an open call to bring inside what is happening outside of the gallery doors and give them an opportunity to share their work with our audience.

PARTICIPATING ARTISTS: Beth Barron, Natalia Berglund, Bennett Bossert, Jenny Brown, Mat Brutger, Jocelyn Burke, Yeonhee Cheong, Jessica Christy, Marina Dunbar, Torey Erin, Shawna Gilmore, Megan Herwig, Jeremy Jones, Betni Kalk, Julie Liger-Belair, Julie Nagle, Serena Perrone, Evie Richner, Amy Schissel, Maureen Shields, and Lyz Wendland.

JUROR: DANIELLE KRYSA, AKA The Jealous Curator thejealouscurator.com/blog  Krysa has a BFA in Visual Arts, and a post-grad in graphic design. She is the writer/curator behind the contemporary art site, The Jealous Curator (est.2009). Danielle has curated shows from Washington DC to Los Angeles, San Francisco to Toronto. In 2014 she published two books, titled “Creative Block” and “Collage”. Her third book, “Your Inner Critic Is A Big Jerk” was released in October 2016, and she is currently working a new book due out Fall 2018. Danielle has also had the great pleasure of speaking at TEDx, PIXAR, Creative Mornings, CreativeLive, and was interviewed for several video segments on oprah.com.

JUROR’S COMMENTS ON WORK SELECTED FOR THE EXHIBITION:

“A gorgeous grouping of art, hung together under one, simple, unifying theme – I love this stuff! I really do, and here’s why. The pieces in this show are the work of 21 artists from all over North America, each with their own unique use of materials and personal point of view. Every piece – from drawings to paintings to sculpture – tells its own story but together, in this particular grouping, the narrative gets even more interesting. A metal dog makes friends with a bandaid mandala, while a text covered mirror in the corner speaks quietly to an unconventional
scientific-esque timeline. Weird and wonderful, unique while strangely harmonious.”

WP Opendoor13

 

 

 

 

 

 

 

 

 

 

 





 

Amelia Biewald, Treats / John Gaunt, Rocking Chair

Amelia John

Rosalux Gallery, July 8th – July 30th 2017

Opening Reception: July 8th, 7-10pm
1400 Van Buren Street NE, #195
Minneapolis, MN 55413

Amelia Biewald:

In a style that has become distinctly her own, Amelia Biewald intertwines imagery of romantic and powerful female figures, animals, real and imagined histories, and landscapes. Employing a wide range of materials, she creates lands full of sensual and alluring surfaces and textures, often combining references to the Old Masters and Surrealism with contemporary culture. Biewald mingles fact with fiction to recreate fables or intrigues. She captures states of transformation and curious unions seeking the pinnacle of a supernatural beauty.

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Sausage Walkers, 2017, watercolor on rag paper, 11 x 11 inches.

In her upcoming show at Rosalux Gallery, Treats, Biewald paints her recent research into Renaissance eating and banquet culture. She creates scrumptious and alluring food presentations appropriate for the grandest dinner party. No grocery stores, no pre-packaged meats. During the Renaissance, if you could catch it, you ate it, and usually ALL of it. Let’s just say we are very picky and boring in our eating habits as compared to those of the 16th century…and the display of our comestibles is far less grand.

Artist Bio

Amelia works with a wide variety of materials creating painterly drawings and sculptural works, which often culminate in large multi-textural installations. She received a BFA from The Rhode Island School of Design and Goldsmith’s College, University of London and then pursued installation artwork at the Minneapolis College of Art and Design where she received her MFA. She has received various artist awards, residencies and fellowships for her work including The Skowhegan School Of Painting & Sculpture Residency, a Bush Foundation Fellowship and a Jerome Foundation Fellowship. She recently completed artist residencies at Art Garda, Sirmione, Italy and The Wassaic Project, NY. Amelia’s solo exhibition Autour De La Fin Du Monde was on view at The Soo Visual Arts Center in 2016.

John Gaunt

I have an empiricist approach to making. In recent years I have been developing a kind of “graphic scaffolding” inspired by weather and the shifting architecture of rivers. This scaffolding or intuitive gesture has become a malleable motif for me across artistic processes – allowing me to generate new combinations of abstract structures, illusionistic spaces and diagrammatic drawing. The accumulation of this practice is beginning to yield a kind of personal topology.

Mend
Mend, Oil on Canvas, 22″ x 26″

Artist Bio

John Gaunt has been active in university teaching since 1995. Educated in the United States and abroad, he maintains a studio practice in Minneapolis that embraces generative processes through painting, drawing and model building. Gaunt is a member of Rosalux Gallery in NE Minneapolis where he exhibits his work annually.

Building on a career that began as a realist painter, Gaunt has distilled his research into an abstract language that is at once gestural and restrained. Interested in the idea of painting and drawing serving as a proposition, the work offers closure yet resists naming – a desirable tension that occupies his current practice.

His work has been exhibited regionally and nationally and acquired in both public and private collections. He has held numerous visiting artist and guest lecturer positions including, the Burren College of Art in Ireland, the International Academy Neukloster Germany, School of Architecture and Urban Design at the University of Kansas, Gustavus Adolphus College, Cazenovia College, University of Minnesota, Hamline University, and University of Wisconsin Stout.





 

Vivid Relics: Shawn McNulty and Michael Sweere

RosaluxPoster

Opening Reception: June 3 rd , 7-10pm
Exhibition Dates: June 3 rd -25 th 2017

Rosalux Gallery presents “Vivid Relics” – a new exhibition featuring the dynamic
paintings of Shawn McNulty and folk-inspired works by Michael Sweere. Each artist
creates work that commands the attention of the viewer, and both McNulty and Sweere
are featured in the U.S. Bank Stadium art collection.

Artery McNulty

Shawn McNulty’s signature abstractions have evolved over the past 20 years into a
more organic territory with some subtle ties back to his geometric pieces with rigid
edges. He utilizes a “shoe palette knife,” which allows him to work the canvas on the
floor with his feet, along with random tools like a Swiffer and pieces of plastic. The
result of this process is refreshing and innovative forms comprised of thick acrylic and
pumice, along with his masterful grasp of color theory. McNulty is essentially an action
painter, but there’s a heavy dose of energized color fields throughout his work, which
lend itself to a “calmness over chaos” vibe. His work can be found in private and
corporate collections all over the world including that of General Mills and President Bill
Clinton.

 

Musky Sweere

With the recent installation of his mural at the new Webber Park Library in Minneapolis,
Michael Sweere shifts gears and brings something completely different to Rosalux
Gallery in June. Mr. Sweere’s affinity of American folk art is evident in his newest
installation. A detour from his familiar mosaic work, the exhibition features a wide
range of polychromed (painted) woodcarvings. His characters – inspired
by imagination, native tales and urban folklore invite viewers of all ages to experience
the wonder of “Folk-O- Rama.”

Banner Images:

Tombstone, Shawn McNulty 40×80” (diptych) acrylic and pumice on canvas

Animal Woodcarvings, Michael Sweere – various sizes

Press Release Images:

Artery, Shawn McNulty, 40″ x 40″ acrylic and pumice on canvas

Muskie, Michael Sweere, Tin-wrapped woodcarving

 





 

Rosalux Artists receive MSAB Arts Initiative Grant

Roslaux artists Elaine Rutherford, Shannon Estlund, Betsy Alwin, and Melissa Loop received the 2017 Minnesota State Arts Board Arts Initiative Grant.  Congratulations!

Elaine Rutherford – mixed media painting  rutherfordelaine.wordpress.com

Shannon Estlund – painting and sculpture  shannonestlund.com

Betsy Alwin – betsyalwin.com

Melissa Loop – painting  melissaloop.com

Elaine Rutherford

 

 

 

 

 

 

 

 

Shannon Estlund

 

 

 

 

 

 

 

 

 

 

Betsy Alwin

 

 

 

 

 

 

 

 

Melissa Loop





 

Time/Keep : David Malcolm Scott and Rebecca Krinke

DMS RK Slider

David Malcolm Scott, Lake Superior Vista                         Rebecca Krinke, The Keep (detail)

Time/Keep : David Malcolm Scott and Rebecca Krinke

Exhibition: April 1 – 30, 2017
Opening Reception: Saturday, April 8, 7-10pm

Rosalux Gallery is pleased to announce Time/Keep, an exhibition of new work by David Malcolm Scott and Rebecca Krinke featuring a large-scale sculptural work by Rebecca and a suite of paintings and drawings by David. The exhibition brings together the artists’ shared interest in time and memory, with a particular interest in what can be remembered or recorded and what can only be sensed or imagined.

David Malcolm Scott presents a new series of works exploring time and place – featuring a 30’ long watercolor scroll that literally starts with the formation of galaxies and moves forward through terrestrial epochs. David then uses this piece with its timeline format to add small scroll paintings above and below to reveal memories and dreams of one person’s life, in this case, the artist himself.

Time and place are highlighted in different ways in David’s two other series on view: in Weekly Commute, vivid slices of the sky are seen framed by dramatic building silhouettes, and in the stylized landscapes, the deep time of geological formations are juxtaposed with the more fleeting forms of forests, grasses, cities, and skies.

Rebecca Krinke presents a large installation, The Keep, which creates a domestic, psychological space of wonder and terror. The Keep continues her series of bed sculptures, although here a charred 4-poster bed hangs from the ceiling, upside down, bound by black-feathered walls – becoming a more abstract container/portal of space. Stacks of her dozens of black bound notebooks are visible but inaccessible on the burned wood floor below.

“Keep” as a noun originated in the Middle Ages, and was a place used as a refuge of last resort should the castle fall to an adversary. Rebecca’s installation evokes questions about what we keep, where we keep, and the costs of keeping: memories, secrets, notebooks, relationships, possessions, houses…This work and her larger practice is both highly personal and collective – in its explorations of private, public, and liminal space.

 

For more info about the artists:

http://rebeccakrinke.com/
http://www.davidmalcolmscott.com/

Rosalux Gallery
1400 Van Buren Street NE, #195
Minneapolis, MN 55413





 

LAURA STACK at CIRCA GALLERY in TWISTED TRYST: CIRCA + OMFORME

Rosalux artist, Laura Stack, is showing her Fluere ink paintings at Circa Gallery in the Twisted Tryst: Circa + Omforme exhibit.
Exhibition Dates: February 11 – March 25, 2017.

circagallery.org  Gallery hours: Tues.–Fri. 1–6 pm | Saturday 11 am–4 pm
210 N First Street Minneapolis MN 55401 | 612.332.2386

The Eccentric Fetish of Omforme furniture plays off the luscious colors and textures of Circa artists’ paintings. See more of Laura Stack’s painting at Laurastackart.com

Fluere # 8, ink painting on paper, 26″ x 20″ – Laura Stack                                                         
Laura Stack Fluere 8

 

 

 

 

 

 

 

 

 

 

 

 

 


Shapeshifter 37, ink painting on paper, 26″ x 20″ – Laura Stack
Laura Stack Shapeshifter 37

Furniture Goes to the Gallery with Omforme & CIRCA’s “Twisted Tryst”





 

New Rosalux Artists, Jim Hittinger, Betsy Alwin, John Gaunt

Rosalux is pleased to announce three new artist members.

Jim Hittinger, figurative drawing and painting.  jimhittinger.com
Betsy Alwin, ceramic sculpture.  betsyalwin.com
John Gaunt, abstract painting. portfolio/john-gaunt

John Gaunt

Jim Hittinger

Betsy Alwin

 





 

Laura Stack and Terrence Payne in SooVac’s Untitled 13 Exhibit

Laura Stack’s ink painting and Terrence Payne’s oil pastel work was selected to be in
Untitled 13, a juried exhibition at Soo Visual Arts Center in Minneapolis, MN

Opening Reception: Saturday, February 11, 2017 6-9PM
Show Runs: February 11 – March 25, 2017

Participating Artists: Byron Anway, Deidre Argyle, Josette Ghiseline, Lindsy Halleckson, Anders Johnson, Daniel McCarthy-Clifford, Erica Meier, Terrence Payne, Tim Portlock, Christopher Rowley, Susan Solomon, Laura Stack, Gabriel Strader Brown, Holly Streekstra, Joshua Stulen, and Sam Van Vo

Untitled 13 marks the thirteenth year of SooVAC’s juried exhibition series. Untitled provides opportunities for artists working in any medium and at any stage of their career, resulting in a survey of varied perspectives and provocative work. Each year SooVAC invites guest jurors to select the work, this year it was Dean Otto and Astria Suparak. Every juror provides a unique aesthetic and curatorial viewpoint, giving the public an opportunity to view fresh artistic voices with every new installment of Untitled. More Information at www.soovac.org/untitled13

Laura Stack, Fluere 16, ink painting collage, 2016


 

 

 

 

 

 

 

 

 

 

 

 

Terrence Payne, oil pastel on paper, 2016
Family Was My Safeword Unti 535x538

 





 

Laura Stack at CIRCA GALLERY “Winter Salon” Exhibit

LAURA STACK is a new artist at CIRCA GALLERY and her paintings are part of the Circa “Winter Salon” exhibit. Stack’s painting “Fluere #8” was featured in the recent Star Tribune review of  the “Winter Salon”.
www.startribune.com/circa-gallery

Laura Stack Fluere 8

Laura Stack, “Fluere 8″, ink painting, 26″ x 20”





 

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