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Shana Kaplow at Gallery 71, Reception March 7th

Shana Kaplow’s ink drawings are included in the Gallery 71 exhibition Situations.  A group exhibit with work by other local artists including Mary Bergs, Anne George and, Paula McCartney.

Exhibition opens on Feb. 10th.
Public Reception: Wed., March. 7th from 6:30-9:00 pm.

gallery71mpls.com
7141 France Av S
Edina, Minnesota, 55435
Hours: Saturdays 1:00 – 4:00pm

Shana Kaplow – Ink and gouache on paper, 30″ x 22″
Shana Kaplow

 

 

Shawn McNulty Art Exhibitions Downtown Minneapolis Super Bowl LII

Rosalux artist Shawn McNulty has several art exhibitions around downtown Minneapolis that coincide with the huge crowds coming to town for Super Bowl LII.

Bandicoot

“Bandicoot” by Shawn McNulty (Acrylic and Pumice on Canvas – 40×40″) on view at the Hewing Hotel

McNulty has two paintings inside US Bank Stadium in the Valhalla suites area which are part of the permanent collection along with an exhibition of seven paintings at the Hewing Hotel (February-April) located in the North Loop and presented by Kolman Pryor Gallery. The artist also has three pieces at the Minneapolis Convention Center during all of 2018 which is presented by Art Force

 

Laura Stack at Circa Gallery “bold boho” Jan. 20-March 3

LAURA STACK ‘s organic ink paintings are in CIRCA GALLERY’s group show entitled bold boho: Circa + Omforme.  Abstract Work by Circa Gallery artists and artful furniture by Omforme Design. circagallery.org . See more of Laura Stack’s work at laurastackart.com

Exhibition Dates:  January 20 – March 3, 2018

Circa Gallery exhibit, Fluere #7 and #3, ink paintings by Laura Stack
Laura Stack Circa InstallCirca Gallery Opening
Laura Stack Circa Artists 2018

 

 

 

 

 

 

& Betsy Ruth Byers at Rosalux Gallery, Opening Feb. 3rd">Priscilla Briggs & Betsy Ruth Byers at Rosalux Gallery, Opening Feb. 3rd

ROSALUX GALLERY is pleased to present two solo shows by artists Priscilla Briggs and Betsy Ruth Byers. In For the Gods Briggs’s photographs relate ancient beliefs about caste and karma to contemporary economic and environmental issues in India.  In Remnants, Betsy Ruth Byers’ paintings meditate on the changing landscape at Glacier National Park.

Public Reception: Saturday, February 3rd, 7-10pm
Exhibition Dates: February 3-25th
Gallery Hours: Saturdays + Sundays: 12–4 pm

Priscilla Briggs – Temple Flower Market, Varanasi, Archival Ink Print, 18” x 27”
Priscilla Briggs

Betsy Ruth Byers – Remnant, Oil on Canvas, 16” x 16”
Betsy Ruth Byers

Priscilla Briggs / For the Gods 
While visiting the Golden Temple in Varanasi, Briggs lifted a garland of flowers from a basket of offerings to breathe in the aroma. The temple guide stopped her short, “The smell is not for you, it is for the gods.” This exhibition of photographs considers various facets of India’s economic and social structure in the wake of globalization and rapid growth. While the caste system is technically illegal, it is embedded in centuries of social structure and religious belief. The already wide contrast between rich and poor has been compounded by globalization and its effect on the environment. Through groupings of images, Briggs photographs represent environmental and economic contrasts.

Briggs is an artist and an Associate Professor at Gustavus Adolphus College. She holds a Master of Fine Arts from the Maryland Institute College of Art. Her research has been supported by artist grants from the McKnight Foundation and the Minnesota State Arts Board, as well as various professional research grants. Her work has been exhibited at the Landskrona Photo Salon in Sweden, the National Galleries of Scotland, the Minneapolis International Film Festival, the DeVos Art Museum, The Minneapolis Institute of Art, the Lousiville Photo Biennial, and the Living Arts New Genre Festival in Tulsa, OK. Her artist monograph, Impossible Is Nothing: China’s Theater of Consumerism, was published last year by Daylight Books. Priscilla Briggs

Betsy Ruth Byers / Remnants
This series, Remnants, was developed through a combination of direct observation at Glacier National Park and indirect reference of historical images from the USGS Repeat Photography Project Archive. Through the process of repeatedly returning to the same subject matter as a point of reference, Byers aims to hone a nuanced understanding of our subjective experience of place. The act of painting itself manipulates time, allowing Byers to transpose multiple perspectives into a singular, abstracted space. Utilizing paint to mimic glacial processes such as melt and flow, her paintings seek to intertwine past and present events.

Byers is an artist and an Associate Professor at Gustavus Adolphus College. She holds a Master of Fine Arts from the Minneapolis College of Art and Design. Her work has been exhibited at the National Galleries of Scotland, SCOPE International Art Fair, the Minnesota Museum of American Art, De Vos Art Museum, Hillstrom Museum of Art, University of Connecticut, Intermedia Arts, Guilford Art Center and The Soap Factory. Her work resides in several private, corporate and museum collections including the Weisman Museum of Art, Hillstrom Museum of Art, Target Corporation, Nordstrom Corporation, BMO Harris Bank, LPM Corporation, and Allina Health Center. Betsy Ruth Byers

This activity was made possible by an Artist Grant from the Prairie Lakes Regional Arts Council with fund provided by the McKnight Foundation.

 

 

& Ashely Peifer Paintings in “Fuse / Surprise Party”, Opens Jan. 6th">Tara Costello & Ashely Peifer Paintings in “Fuse / Surprise Party”, Opens Jan. 6th

Rosalux is pleased to present new work by local painters Tara Costello and Ashely Peifer.

Public Reception: Saturday, January 13, 6-9 pm
Exhibition runs through January 6-28, 2018

In Fuse, Tara Costello’s paintings explore the malleability of perspective, subtle documented shifts in time merging to create landscape in an abstract form. Her work searches for unexpected beauty in the relationships between rich textures and primitive mark. She is interested in the way multiple perspectives live, move and shift within the same moment. The spontaneous is art is complete absorption in the paintings that is fresh. The freshness holds the emotion, emotional energy evokes, assembles, accepts, and rejects memories, images, observations and works them into a whole.

Tara Costello lives and works in Minneapolis, MN. She has exhibited her work nationally and internationally at galleries including The Burren College of Art in Ireland, The National Galleries of Scotland in Edinburgh, Soo Local, Minnesota, Circa Gallery, MN, Bloomington Center for the Arts, MN, Sears Peyton Gallery, NY. Costello has numerous commissions including commercial and residential murals. rosaluxgallery.com/tara-costello

Tara Costello, Ballyvaughn, 2017, Venetian plaster, 30” x 32”
Web TaraCostelloBallyvaughn

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In surprise party, Ashely Peifer’s mixed media paintings on paper, panel, and shaped plywood to explore the distortion of memory over time. Can nostalgia over-beautify a memory beyond recognition? The paintings and sculptures grasp at the blurry edges of memory, attempting to transmute the non-material into haptic experience.  Sunny childhood memories appear in repeated shapes throughout the work: jump ropes, forts, garden edges, hula hoops, coloring, and candy. Willful optimism is the goal and it is achieved through embracing nostalgia and translating it into the realm of pattern, color, and form.

Ashely Peifer is an artist and textile designer living in Minneapolis. She holds an MFA in Painting from the Minneapolis College of Art and Design and a BA in Visual Art from Taylor University in Indiana. She has exhibited nationally and internationally including solo shows at Galleria Daniele Agostini in Lugano, Switzerland and Burnet Gallery in Minneapolis, Minnesota. Her paintings are represented by Galleria Daniele Agostini in Switzerland, Uprise Art in New York City, and she is a member of Rosalux Gallery in Minneapolis. Her work has been featured in New American Paintings, the Urban Outfitters blog, Design*Sponge, and Maake Magazine, as well as numerous art blogs and digital magazines. ashelypeifer.com

Ashely Peifer, tumble quilt, 2017, mixed media on panel, 32” x 30”
Web AshelyPeifer Tumble Quilt

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Laura Stack at Circa Gallery, Dec. 2 – Jan. 13

LAURA STACK ‘s colorful organic ink paintings are in CIRCA GALLERY’s Winter Salon exhibit.
Group show including work by Circa Gallery Artists.

EXHIBITION DATES: December 2 – January 13, 2018
Info at circagallery.org/laurastack

Laura Stack creates ink paintings and collages that are an imagined view of artificial life or the
“new natural”. Her painting process begins by envisioning a fluid, bodily, cellular, or chemical world expressing its own laws of physics. Organic forms such as fungi and microscopic life and the biological processes of lava flow and branching inspire the painting imagery. She coaxes the ink across the paper’s surface, corralling, halting, spreading, and encouraging its direction. The ink shapes then morph into tendrils or bloom and disperse. Through physical gestures and the fluidity of the ink, she aims to create a sense of pulse and movement.

Stack’s work evokes contradictions – the embodiment of the natural and synthetic, the simultaneity of flatness and depth, and the illusion of movement within a still image. There is no logical reading of these paintings. They are a mirroring of the mysterious questions that define our changing relationship with the natural world.  See more of Laura’s artwork at laurastackart.com

Fluere #27 / ink painting collage on panel / 20″ x 20″

Laura Stack Fluere 27

Laura Stack

 

& Melissa Loop Painting Show Opens on November 4th">Ute Bertog & Melissa Loop Painting Show Opens on November 4th

Rosalux is pleased to present new work by local painters Melissa Loop and Ute Bertog.

Public Reception: Saturday, November 11, 6-10pm
Family Happy Hour: Saturday, November 18, 4-6pm
Exhibition Dates: November 4-26, 2017

Melissa Loop uses her travels to explore notions of authenticity, place, and spirituality through our experiences of other cultures. Follow the Moon is inspired by her trips to Central America in 2012 and 2015 when she visited ancient Mayan sites. While her paintings are based on reality, the compositions are purposefully invented in an attempt to recreate rare moments of spiritual transcendence one encounters when taking a pilgrimage to a sacred place. With this particular group of paintings, Loop focused on exploring the space between imagination, reality, spiritual transcendence, and dreams. By doing this, she is weaving a tale of a pilgrim coming out of a deep sorrow and finding the origin of life.

Tie Yourself to Me, 2017, Synthetic polymer on panel, 18 x 24″
WP Mloop Tie

 

 

 

 

 

 

 

 

 

 

 

 

 


In Voiceatscript
, Ute Bertog continues to explore the tenuous relationship between abstraction and language in her paintings to address themes of communication and its failure. For Voiceatscript she focuses on a deeply felt sense of speechlessness. Being speechless and without words to articulate one’s thoughts and opinions is seen either as a defiant gesture or – more often – as a sign of powerlessness. In order to regain a sense of power Bertog then reaches for readymade texts, quotes,  and cliches as a starting point for her paintings, only to lose them again in the painting process. The goal is to introduce the necessary space for questions, imagination and play to take hold to freely renegotiate original content.

Foreign echoes, 2017, Oil on canvas, 14 x 11″
1 WP Ubertog Foreign

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Shawn McNulty in “More or Less Paint” at 410 Project in Mankato, MN

SHAWN MCNULTY’s abstract paintings are featured in “More or Less Paint” at the the 410 Project , an exhibition of eight Minnesota painters.

Exhibition Runs: July 7-23, 2017

Artists Exhibiting:
Brian Frink, Amber Rahe, Pam Bidelmann, Bryan Holland, Mat Ollig, Shawn McNulty, Shane Warren, Keren Kroul.

The 410 Project curated this exhibit of eight Minnesota artists who are all working in the medium of paint but explore its usage in a variety of ways, showing that defining ourselves as a painter is not just applying paint to a canvas, but creating a color, a texture, a narrative.

The 410 Project
523 South Front St.
Mankato, MN 56001
Gallery Hours: Wed. – Sat. 2-6pm and Sunday 1-4pm.

Paintings by Shawn McNulty

Shaun 410show

 

New Rosalux Member, Ashely Peifer

We are happy to announce that Ashely Peifer is a new member of Rosalux Gallery.

Ashely is an abstract painter who graduated with a MFA from the Minneapolis College of Art and Design (MCAD) in 2013.

She exhibits her work locally, nationally and internationally and is currently showing paintings at Galleria Daniele Agostini Gallery in Lugano, Switzerland. More info at danieleagostini.ch   

Birthday Bunting 12x12 600x600

“birthday bunting” by Ashely Peifer

 

Vivid Relics: Shawn McNulty and Michael Sweere

RosaluxPoster

Opening Reception: June 3 rd , 7-10pm
Exhibition Dates: June 3 rd -25 th 2017

Rosalux Gallery presents “Vivid Relics” – a new exhibition featuring the dynamic
paintings of Shawn McNulty and folk-inspired works by Michael Sweere. Each artist
creates work that commands the attention of the viewer, and both McNulty and Sweere
are featured in the U.S. Bank Stadium art collection.

Artery McNulty

Shawn McNulty’s signature abstractions have evolved over the past 20 years into a
more organic territory with some subtle ties back to his geometric pieces with rigid
edges. He utilizes a “shoe palette knife,” which allows him to work the canvas on the
floor with his feet, along with random tools like a Swiffer and pieces of plastic. The
result of this process is refreshing and innovative forms comprised of thick acrylic and
pumice, along with his masterful grasp of color theory. McNulty is essentially an action
painter, but there’s a heavy dose of energized color fields throughout his work, which
lend itself to a “calmness over chaos” vibe. His work can be found in private and
corporate collections all over the world including that of General Mills and President Bill
Clinton.

 

Musky Sweere

With the recent installation of his mural at the new Webber Park Library in Minneapolis,
Michael Sweere shifts gears and brings something completely different to Rosalux
Gallery in June. Mr. Sweere’s affinity of American folk art is evident in his newest
installation. A detour from his familiar mosaic work, the exhibition features a wide
range of polychromed (painted) woodcarvings. His characters – inspired
by imagination, native tales and urban folklore invite viewers of all ages to experience
the wonder of “Folk-O- Rama.”

Banner Images:

Tombstone, Shawn McNulty 40×80” (diptych) acrylic and pumice on canvas

Animal Woodcarvings, Michael Sweere – various sizes

Press Release Images:

Artery, Shawn McNulty, 40″ x 40″ acrylic and pumice on canvas

Muskie, Michael Sweere, Tin-wrapped woodcarving

 

 

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