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Laura Stack at Circa Gallery, Dec. 2 – Jan. 13

LAURA STACK ‘s colorful organic ink paintings are in CIRCA GALLERY’s Winter Salon exhibit.
Group show including work by Circa Gallery Artists.

EXHIBITION DATES: December 2 – January 13, 2018
Info at circagallery.org/laurastack

Laura Stack creates ink paintings and collages that are an imagined view of artificial life or the
“new natural”. Her painting process begins by envisioning a fluid, bodily, cellular, or chemical world expressing its own laws of physics. Organic forms such as fungi and microscopic life and the biological processes of lava flow and branching inspire the painting imagery. She coaxes the ink across the paper’s surface, corralling, halting, spreading, and encouraging its direction. The ink shapes then morph into tendrils or bloom and disperse. Through physical gestures and the fluidity of the ink, she aims to create a sense of pulse and movement.

Stack’s work evokes contradictions – the embodiment of the natural and synthetic, the simultaneity of flatness and depth, and the illusion of movement within a still image. There is no logical reading of these paintings. They are a mirroring of the mysterious questions that define our changing relationship with the natural world.  See more of Laura’s artwork at laurastackart.com

Fluere #27 / ink painting collage on panel / 20″ x 20″

Laura Stack Fluere 27

Laura Stack





 

& Melissa Loop Painting Show Opens on November 4th">Ute Bertog & Melissa Loop Painting Show Opens on November 4th

Rosalux is pleased to present new work by local painters Melissa Loop and Ute Bertog.

Public Reception: Saturday, November 11, 6-10pm
Family Happy Hour: Saturday, November 18, 4-6pm
Exhibition Dates: November 4-26, 2017

Melissa Loop uses her travels to explore notions of authenticity, place, and spirituality through our experiences of other cultures. Follow the Moon is inspired by her trips to Central America in 2012 and 2015 when she visited ancient Mayan sites. While her paintings are based on reality, the compositions are purposefully invented in an attempt to recreate rare moments of spiritual transcendence one encounters when taking a pilgrimage to a sacred place. With this particular group of paintings, Loop focused on exploring the space between imagination, reality, spiritual transcendence, and dreams. By doing this, she is weaving a tale of a pilgrim coming out of a deep sorrow and finding the origin of life.

Tie Yourself to Me, 2017, Synthetic polymer on panel, 18 x 24″
WP Mloop Tie

 

 

 

 

 

 

 

 

 

 

 

 

 


In Voiceatscript
, Ute Bertog continues to explore the tenuous relationship between abstraction and language in her paintings to address themes of communication and its failure. For Voiceatscript she focuses on a deeply felt sense of speechlessness. Being speechless and without words to articulate one’s thoughts and opinions is seen either as a defiant gesture or – more often – as a sign of powerlessness. In order to regain a sense of power Bertog then reaches for readymade texts, quotes,  and cliches as a starting point for her paintings, only to lose them again in the painting process. The goal is to introduce the necessary space for questions, imagination and play to take hold to freely renegotiate original content.

Foreign echoes, 2017, Oil on canvas, 14 x 11″
1 WP Ubertog Foreign

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 





 

Shawn McNulty in “More or Less Paint” at 410 Project in Mankato, MN

SHAWN MCNULTY’s abstract paintings are featured in “More or Less Paint” at the the 410 Project , an exhibition of eight Minnesota painters.

Exhibition Runs: July 7-23, 2017

Artists Exhibiting:
Brian Frink, Amber Rahe, Pam Bidelmann, Bryan Holland, Mat Ollig, Shawn McNulty, Shane Warren, Keren Kroul.

The 410 Project curated this exhibit of eight Minnesota artists who are all working in the medium of paint but explore its usage in a variety of ways, showing that defining ourselves as a painter is not just applying paint to a canvas, but creating a color, a texture, a narrative.

The 410 Project
523 South Front St.
Mankato, MN 56001
Gallery Hours: Wed. – Sat. 2-6pm and Sunday 1-4pm.

Paintings by Shawn McNulty

Shaun 410show





 

New Rosalux Member, Ashely Peifer

We are happy to announce that Ashely Peifer is a new member of Rosalux Gallery.

Ashely is an abstract painter who graduated with a MFA from the Minneapolis College of Art and Design (MCAD) in 2013.

She exhibits her work locally, nationally and internationally and is currently showing paintings at Galleria Daniele Agostini Gallery in Lugano, Switzerland. More info at danieleagostini.ch   

Birthday Bunting 12x12 600x600

“birthday bunting” by Ashely Peifer





 

Vivid Relics: Shawn McNulty and Michael Sweere

RosaluxPoster

Opening Reception: June 3 rd , 7-10pm
Exhibition Dates: June 3 rd -25 th 2017

Rosalux Gallery presents “Vivid Relics” – a new exhibition featuring the dynamic
paintings of Shawn McNulty and folk-inspired works by Michael Sweere. Each artist
creates work that commands the attention of the viewer, and both McNulty and Sweere
are featured in the U.S. Bank Stadium art collection.

Artery McNulty

Shawn McNulty’s signature abstractions have evolved over the past 20 years into a
more organic territory with some subtle ties back to his geometric pieces with rigid
edges. He utilizes a “shoe palette knife,” which allows him to work the canvas on the
floor with his feet, along with random tools like a Swiffer and pieces of plastic. The
result of this process is refreshing and innovative forms comprised of thick acrylic and
pumice, along with his masterful grasp of color theory. McNulty is essentially an action
painter, but there’s a heavy dose of energized color fields throughout his work, which
lend itself to a “calmness over chaos” vibe. His work can be found in private and
corporate collections all over the world including that of General Mills and President Bill
Clinton.

 

Musky Sweere

With the recent installation of his mural at the new Webber Park Library in Minneapolis,
Michael Sweere shifts gears and brings something completely different to Rosalux
Gallery in June. Mr. Sweere’s affinity of American folk art is evident in his newest
installation. A detour from his familiar mosaic work, the exhibition features a wide
range of polychromed (painted) woodcarvings. His characters – inspired
by imagination, native tales and urban folklore invite viewers of all ages to experience
the wonder of “Folk-O- Rama.”

Banner Images:

Tombstone, Shawn McNulty 40×80” (diptych) acrylic and pumice on canvas

Animal Woodcarvings, Michael Sweere – various sizes

Press Release Images:

Artery, Shawn McNulty, 40″ x 40″ acrylic and pumice on canvas

Muskie, Michael Sweere, Tin-wrapped woodcarving

 





 

Laura Stack and Terrence Payne in SooVac’s Untitled 13 Exhibit

Laura Stack’s ink painting and Terrence Payne’s oil pastel work was selected to be in
Untitled 13, a juried exhibition at Soo Visual Arts Center in Minneapolis, MN

Opening Reception: Saturday, February 11, 2017 6-9PM
Show Runs: February 11 – March 25, 2017

Participating Artists: Byron Anway, Deidre Argyle, Josette Ghiseline, Lindsy Halleckson, Anders Johnson, Daniel McCarthy-Clifford, Erica Meier, Terrence Payne, Tim Portlock, Christopher Rowley, Susan Solomon, Laura Stack, Gabriel Strader Brown, Holly Streekstra, Joshua Stulen, and Sam Van Vo

Untitled 13 marks the thirteenth year of SooVAC’s juried exhibition series. Untitled provides opportunities for artists working in any medium and at any stage of their career, resulting in a survey of varied perspectives and provocative work. Each year SooVAC invites guest jurors to select the work, this year it was Dean Otto and Astria Suparak. Every juror provides a unique aesthetic and curatorial viewpoint, giving the public an opportunity to view fresh artistic voices with every new installment of Untitled. More Information at www.soovac.org/untitled13

Laura Stack, Fluere 16, ink painting collage, 2016


 

 

 

 

 

 

 

 

 

 

 

 

Terrence Payne, oil pastel on paper, 2016
Family Was My Safeword Unti 535x538

 





 
 

LAURA STACK and MELISSA LOOP at ROSALUX GALLERY SEPT. 2016

ROSALUX GALLERY

LAURA STACK: FLUERE  
MELISSA LOOP: FABRICATED REAL

Opening Reception: Saturday, September 10, 7-10pm
Exhibition Dates: September 3 – 25, 2016
Gallery Hours: Saturdays & Sundays, 12 – 4pm or by appt.

Stack-Loop show

Rosalux Gallery is pleased to present two solo shows by Minneapolis artists Laura Stack and Melissa Loop. In Fabricated Real, Loop’s landscape paintings use her travels to Mayan ruins in Central America as a subject to explore notions of how we form assumptions about authenticity, place, and spirituality through our explorations and ill-informed ideas of other cultures. In Fluere, Stack’s abstract ink paintings suggest an amalgam of the natural and the synthetic where shapes morph into odd, though vaguely familiar forms and ink patterns bloom, dissolve, and disperse.
Contact at artist’s website: Laurastackart.com and Melissaloop.com

Laura Stack’s hyper-color ink paintings allude to a bodily, cellular or chemical world with its own rules and physics. Her work suggests paradoxes and simultaneities; the paradox that living things can now embody synthetic elements, the simultaneity of flatness and depth, and the illusion of movement that can be suggested within still images. Stack’s art practice is motivated by her curiosity in nature and science. Her paintings are an imagined mirroring of artificial biological or what we might call the “new natural”.

Laura Stack, Fluere 3, ink on paper, 26"x 20"

Laura Stack, Fluere 3, ink on paper, 26″x 20″

About these paintings, Melissa Loop says: “I was in Tikal sitting on top of the highest temple after sunset with about a dozen other tourists. We were listening to our Mayan guide tell us a story about him and his twin brother born in the rainforest. The Mayans believe that twins are of the gods. A sign of good luck. In the distance, the tops of the other temples peaked above the rainforest and we watched a lightning storm dance in the sky. Part of the scene was a setup created for us tourists. However, part of it was a rare moment in time that contained all of the mystic and spiritual clarity that we search for when traveling to faraway places. The setup cliche became an actual moment of transendence. By making these half fantasy paintings, I participate in the cliche. However, I can’t help but search for those rare moments where everything transcends and becomes magical again.”

Web Promo Image 500px Melissa Loop

Melissa Loop, Great Sorrow, acrylic on canvas, 96” x 72″

Rosalux Gallery, 1400 Van Buren St NE, Minneapolis, MN 55413.
Hours: Saturdays and Sundays noon-4pm.

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CityPages A-List -LAURA STACK AND VAL JENKINS: New Paintings and Drawings at Rosalux Gallery

City Pages A-List featured LAURA STACK AND VAL JENKINS an Exhibition of New Paintings and Drawings at Rosalux Gallery http://www.citypages.com/event/new-work-paintings-and-drawings-7926328

 





 

March Rosalux Exhibit, Laura Stack and Valerie Jenkins “Sticky Ridges”

Stack-Jenkins-Mailchimp-invite-image-2015
Opening Reception: Saturday, March 7th, 7-10pm

Exhibit Dates: March 7- 29, 2015
Rosalux Gallery Hours: Sat & Sun 12-4

“Sticky Ridges and other perils of silent senses” features the paintings of Laura Stack and paintings/drawings of Val Jenkins in a two-person exhibition at Rosalux Gallery. Both artists share an interest in exploring spatial perception through the simultaneity of flatness and depth, and the illusion of movement that can be suggested within still images. Laura Stack creates a fluid spatial world into which the viewer projects themselves into another world, a bodily or cellular world – a world with its own rules and physics. Val Jenkins’ makes work that she describes as projecting into the space of the viewer, so there is a moment of recognition between materiality and illusion.

Laura Stack’s detailed ink paintings are an amalgam of the natural and the synthetic. Borrowing from both natural and man-made structures, her painted and poured ink images morph into odd, though vaguely familiar forms that bloom, dissolve, and then disperse. Dried pools of ink suggest the flux and flow of indeterminate forms. http://rosaluxgallery.com/my_portfolio/laura-stack/#.VPd2pXzF8-o  and http://laurastackart.com/

Valerie Jenkins’ oil paintings and graphite drawings are both pictures of space and they inhabit space as objects. Phenomena gleaned from the material and virtual world create an internal structure that is both subterranean and architectural. Viewed all together, the work functions as a trace of everyday experience; where such concerns as distance and proximity, ambiguity and contradiction, matter and its negation, invite speculation about illusion and reality. http://www.valeriejenkinsart.com/

Shapeshifter 21 by Laura Stack, ink on paper, 12″ x 9″

 

Shapeshifter 20 by Laura Stack

Shapeshifter 20 by Laura Stack, ink and gouache on paper, 16″ x 20″