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Shannon Estlund and Jim Hittinger, Paintings and Drawings

GRAVEYARD SHIFT: Drawings/Paintings by Jim Hittinger
LOW VISUAL DISTANCE: Paintings by Shannon Estlund

Exhibition Dates: August 12-27, 2017
Opening Reception: Saturday, August 12, 7-10pm
Gallery Talk: Saturday, August 12, 7-8pm

Jim Hittinger, Procession, oil on canvas, 36 x 48”, 2017
Jim Hittinger

About Jim Hittinger’s GRAVEYARD SHIFT: Graveyard Shift explores a sparsely populated world littered with empty lots, depleted suburban subdivisions, and chain-link fences tracing the confines of sites where things once were. Beacons and warning signs mark isolated islands of activity within the void: flags, sirens, neon markings on diseased trees, used car lot inflatable dancing men. The entire world is the outskirts of somewhere else. On the surface the world appears lifeless, but its inhabitants go through the motions of living; they celebrate holidays, bury their dead, and play baseball.

Snowman, 2016
Snowman

Jim Hittinger received a Bachelor of Fine Arts degree from Wayne State University in Detroit, Michigan in 2012 and a Master of Fine Arts degree from The University of Minnesota in 2015. His work has been widely exhibited locally and nationally, including recent exhibitions at Whitdel Arts in Detroit, Tyler School of Art in Philadelphia, and Rosalux Gallery in Minneapolis. He currently teaches in the Department of Art at The University of Minnesota. Jim Hittinger

Shannon Estlund, Untitled, oil on canvas, 48 x 60”, 2017 Shannon Estland

 

 

 

 

 

 

 

 

 


About Shannon Estlund’s LOW VISUAL DISTANCE:
Shannon Estlund’s abstracted landscapes are inspired by Rice Creek and the surrounding forest near her home in Fridley, Minnesota. The title Low Visual Distance refers to the way that dappled light, physical obstructions, and abstractions of form complicate an objective understanding of these spaces. Instead, the paintings offer a psychological interpretation of each site. The subjects of the paintings, which include downed trees, stagnant pools, and tangles of brush, demonstrate various states of growth and decay. Subjects are rendered using overlapping imagery, expressive color, repeating pattern, and abstracted form as a metaphor for a subjective and ever-changing perception of reality. The paintings in this exhibition represent a practice in becoming comfortable with the unknown and appreciating the impermanent and interdependent nature of all things.

Fifty Three Degrees, 2017
Fifity Three Degrees

Shannon Estlund holds a Master of Fine Arts in Visual Studies from the Minneapolis College of Art and Design and received her B.F.A. from the University of Florida. Shannon currently teaches at the Minneapolis College of Art and Design and Augsburg College. She has received several grants for her work from the Minnesota State Arts Board and the Community Foundation. She has exhibited her work nationally and internationally at museums and galleries including the Crisp Ellert Art Museum (FL), the Elmhurst Art Museum (IL), Soo Visual Art Center (MN), the Cummer Museum of Art and Gardens (FL), and at the National Galleries of Scotland. Her work has been featured in New American Paintings and Studio Visit magazines. Shannon Estlund is a fiscal year 2017 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund. Shannon Estlund

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Jim Hittinger in one-night show benefit NARAL Pro-Choice, July 21st

JIM HITTINGER is participating in a one-night show to benefit NARAL Pro-Choice of Minnesota on July 21st , hosted jointly by The Porch Gallery and Hair and Nails Gallery .
Show Location: Hair and Nails Gallery , 2222 1/2 E. 35th St., Mpls, MN 55407

Join NARAL Pro-Choice Minnesota at the Hair and Nails Gallery for our 2nd Annual Art Salon. Come to mingle, admire and purchase the work of local artists, and support a good cause! 100% of proceeds go to NARAL Pro-Choice Minnesota.
There is a suggested $10 donation at the door.

Jim H





 

Shawn McNulty in “More or Less Paint” at 410 Project in Mankato, MN

SHAWN MCNULTY’s abstract paintings are featured in “More or Less Paint” at the the 410 Project , an exhibition of eight Minnesota painters.
Exhibition Runs: July 7-23, 2017

Artists Exhibiting:
Brian Frink, Amber Rahe, Pam Bidelmann, Bryan Holland, Mat Ollig, Shawn McNulty, Shane Warren, Keren Kroul.

The 410 Project curated this exhibit of eight Minnesota artists who are all working in the medium of paint but explore its usage in a variety of ways, showing that defining ourselves as a painter is not just applying paint to a canvas, but creating a color, a texture, a narrative.

The 410 Project
523 South Front St.
Mankato, MN 56001
Gallery Hours: Wed. – Sat. 2-6pm and Sunday 1-4pm.

Paintings by Shawn McNulty

Shaun 410show





 

Betsy Alwin in “Eight Artists” at 369 Gallery, St. Paul, MN

Betsy Alwin recently exhibited her sculpture in “Eight Artists”, a group show at 369 Gallery in St. Paul, MN.

Eight Artists is a diverse selection of new works exhibited at Space 369 through an open call for art. These artists were selected by the juror, Candice Hopkins. The exhibition included painting, sculpture and performance works.

space369.online is an alternative, non-commercially funded, arts project space located in Saint Paul. This exhibition is made possible through the support of the Knight Foundation.

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“Buttress” by Betsy Alwin





 

New Rosalux Member, Ashely Peifer

We are happy to announce that Ashely Peifer is a new member of Rosalux Gallery.

Ashely is an abstract painter who graduated with a MFA from the Minneapolis College of Art and Design (MCAD) in 2013.

She exhibits her work locally, nationally and internationally and is currently showing paintings at Galleria Daniele Agostini Gallery in Lugano, Switzerland. More info at danieleagostini.ch   

Birthday Bunting 12x12 600x600

“birthday bunting” by Ashely Peifer





 

PRISCILLA BRIGGS’S Artist Monograph published by Daylight Books

PRISCILLA BRIGGS’S Artist Monograph Impossible Is Nothing: China’s Theater of Consumerism, published by Daylight Books

Impossible Is Nothing is a book of photographs that focus on constructed realities within contemporary China as they relate to ideas of luxury and status, with the West as a model of Capitalist values. At the same time, there are hints of what lies beneath the surface and the costs of global consumerism. Portraits, still life images, and urban landscapes, rich in detail, are woven together to create a lyrical ode to the optimism and imagination of contemporary China. Text contributors include Rob Schmitz (NPR foreign correspondent) and Susannah Magers (independent curator/writer).

A signed copy of the book can be purchased from Rosalux Gallery or from Priscilla’s website:
1 Rosalux PRISCILLA BRIGGS

Book cover “Impossible is Nothing” by PRISCILLA BRIGGS

2 Rosalux PRISCILLA BRIGGS Station Proof

Photograph by PRISCILLA BRIGGS





 

Amelia Biewald, Treats / John Gaunt, Rocking Chair

Amelia John

Rosalux Gallery, July 8th – July 30th 2017

Opening Reception: July 8th, 7-10pm
1400 Van Buren Street NE, #195
Minneapolis, MN 55413

Amelia Biewald:

In a style that has become distinctly her own, Amelia Biewald intertwines imagery of romantic and powerful female figures, animals, real and imagined histories, and landscapes. Employing a wide range of materials, she creates lands full of sensual and alluring surfaces and textures, often combining references to the Old Masters and Surrealism with contemporary culture. Biewald mingles fact with fiction to recreate fables or intrigues. She captures states of transformation and curious unions seeking the pinnacle of a supernatural beauty.

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Sausage Walkers, 2017, watercolor on rag paper, 11 x 11 inches.

In her upcoming show at Rosalux Gallery, Treats, Biewald paints her recent research into Renaissance eating and banquet culture. She creates scrumptious and alluring food presentations appropriate for the grandest dinner party. No grocery stores, no pre-packaged meats. During the Renaissance, if you could catch it, you ate it, and usually ALL of it. Let’s just say we are very picky and boring in our eating habits as compared to those of the 16th century…and the display of our comestibles is far less grand.

Artist Bio

Amelia works with a wide variety of materials creating painterly drawings and sculptural works, which often culminate in large multi-textural installations. She received a BFA from The Rhode Island School of Design and Goldsmith’s College, University of London and then pursued installation artwork at the Minneapolis College of Art and Design where she received her MFA. She has received various artist awards, residencies and fellowships for her work including The Skowhegan School Of Painting & Sculpture Residency, a Bush Foundation Fellowship and a Jerome Foundation Fellowship. She recently completed artist residencies at Art Garda, Sirmione, Italy and The Wassaic Project, NY. Amelia’s solo exhibition Autour De La Fin Du Monde was on view at The Soo Visual Arts Center in 2016.

John Gaunt

I have an empiricist approach to making. In recent years I have been developing a kind of “graphic scaffolding” inspired by weather and the shifting architecture of rivers. This scaffolding or intuitive gesture has become a malleable motif for me across artistic processes – allowing me to generate new combinations of abstract structures, illusionistic spaces and diagrammatic drawing. The accumulation of this practice is beginning to yield a kind of personal topology.

Mend
Mend, Oil on Canvas, 22″ x 26″

Artist Bio

John Gaunt has been active in university teaching since 1995. Educated in the United States and abroad, he maintains a studio practice in Minneapolis that embraces generative processes through painting, drawing and model building. Gaunt is a member of Rosalux Gallery in NE Minneapolis where he exhibits his work annually.

Building on a career that began as a realist painter, Gaunt has distilled his research into an abstract language that is at once gestural and restrained. Interested in the idea of painting and drawing serving as a proposition, the work offers closure yet resists naming – a desirable tension that occupies his current practice.

His work has been exhibited regionally and nationally and acquired in both public and private collections. He has held numerous visiting artist and guest lecturer positions including, the Burren College of Art in Ireland, the International Academy Neukloster Germany, School of Architecture and Urban Design at the University of Kansas, Gustavus Adolphus College, Cazenovia College, University of Minnesota, Hamline University, and University of Wisconsin Stout.





 
 

UTE BERTOG at Gallery 71

UTE BERTOG is showing her abstract paintings at Gallery 71 in Edina, MN. www.utebertog.com

Opening Reception: Wed, June 14, 6:30 – 9pm

Show Dates: May 11-July 28, 2017.
Gallery hours: Saturdays 1-4pm
More information at gallery71mpls.com

SEQUENTIAL showcases 4 Minnesotan artists that are interested in the inherent possibilities of working in series. Other artists in the exhibition are Jesse Hickman, Mary Gibney and Michael Cimino.

1 Ubertog

Ute Bertog at Gallery 71

2 Ubertog

Ute Bertog at Gallery 71

 





 

SHANA KAPLOW at Form+Content Gallery

SHANA KAPLOW  is a showing ink wall drawings at Form+Content Gallery, May 25-July 1.

Opening Reception:
Saturday, May 27, 6:00 – 8:00 pm

UNSTOPPABLE FORCE Women Artists, Here and Now is an exhibition by 5 exhilarating women artists. This exhibition was conceptualized by Vesna Kittelson and co-curated by Gallery members Vesna Kittelson and Mark Ostapchuk.  formandcontent.org
Photo: Install of Shana Kaplow’s work.

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Install of Shana Kaplow’s work at Form & Content Gallery.





 

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