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Shana Kaplow at Gallery 71, Reception March 7th

Shana Kaplow’s ink drawings are included in the Gallery 71 exhibition Situations.  A group exhibit with work by other local artists including Mary Bergs, Anne George and, Paula McCartney.

Exhibition opens on Feb. 10th.
Public Reception: Wed., March. 7th from 6:30-9:00 pm.

gallery71mpls.com
7141 France Av S
Edina, Minnesota, 55435
Hours: Saturdays 1:00 – 4:00pm

Shana Kaplow – Ink and gouache on paper, 30″ x 22″
Shana Kaplow

 

 

Shawn McNulty Art Exhibitions Downtown Minneapolis Super Bowl LII

Rosalux artist Shawn McNulty has several art exhibitions around downtown Minneapolis that coincide with the huge crowds coming to town for Super Bowl LII.

Bandicoot

“Bandicoot” by Shawn McNulty (Acrylic and Pumice on Canvas – 40×40″) on view at the Hewing Hotel

McNulty has two paintings inside US Bank Stadium in the Valhalla suites area which are part of the permanent collection along with an exhibition of seven paintings at the Hewing Hotel (February-April) located in the North Loop and presented by Kolman Pryor Gallery. The artist also has three pieces at the Minneapolis Convention Center during all of 2018 which is presented by Art Force

 

Laura Stack at Circa Gallery “bold boho” Jan. 20-March 3

LAURA STACK ‘s organic ink paintings are in CIRCA GALLERY’s group show entitled bold boho: Circa + Omforme.  Abstract Work by Circa Gallery artists and artful furniture by Omforme Design. circagallery.org . See more of Laura Stack’s work at laurastackart.com

Exhibition Dates:  January 20 – March 3, 2018

Circa Gallery exhibit, Fluere #7 and #3, ink paintings by Laura Stack
Laura Stack Circa InstallCirca Gallery Opening
Laura Stack Circa Artists 2018

 

 

 

 

 

 

& Betsy Ruth Byers at Rosalux Gallery, Opening Feb. 3rd">Priscilla Briggs & Betsy Ruth Byers at Rosalux Gallery, Opening Feb. 3rd

ROSALUX GALLERY is pleased to present two solo shows by artists Priscilla Briggs and Betsy Ruth Byers. In For the Gods Briggs’s photographs relate ancient beliefs about caste and karma to contemporary economic and environmental issues in India.  In Remnants, Betsy Ruth Byers’ paintings meditate on the changing landscape at Glacier National Park.

Public Reception: Saturday, February 3rd, 7-10pm
Exhibition Dates: February 3-25th
Gallery Hours: Saturdays + Sundays: 12–4 pm

Priscilla Briggs – Temple Flower Market, Varanasi, Archival Ink Print, 18” x 27”
Priscilla Briggs

Betsy Ruth Byers – Remnant, Oil on Canvas, 16” x 16”
Betsy Ruth Byers

Priscilla Briggs / For the Gods 
While visiting the Golden Temple in Varanasi, Briggs lifted a garland of flowers from a basket of offerings to breathe in the aroma. The temple guide stopped her short, “The smell is not for you, it is for the gods.” This exhibition of photographs considers various facets of India’s economic and social structure in the wake of globalization and rapid growth. While the caste system is technically illegal, it is embedded in centuries of social structure and religious belief. The already wide contrast between rich and poor has been compounded by globalization and its effect on the environment. Through groupings of images, Briggs photographs represent environmental and economic contrasts.

Briggs is an artist and an Associate Professor at Gustavus Adolphus College. She holds a Master of Fine Arts from the Maryland Institute College of Art. Her research has been supported by artist grants from the McKnight Foundation and the Minnesota State Arts Board, as well as various professional research grants. Her work has been exhibited at the Landskrona Photo Salon in Sweden, the National Galleries of Scotland, the Minneapolis International Film Festival, the DeVos Art Museum, The Minneapolis Institute of Art, the Lousiville Photo Biennial, and the Living Arts New Genre Festival in Tulsa, OK. Her artist monograph, Impossible Is Nothing: China’s Theater of Consumerism, was published last year by Daylight Books. Priscilla Briggs

Betsy Ruth Byers / Remnants
This series, Remnants, was developed through a combination of direct observation at Glacier National Park and indirect reference of historical images from the USGS Repeat Photography Project Archive. Through the process of repeatedly returning to the same subject matter as a point of reference, Byers aims to hone a nuanced understanding of our subjective experience of place. The act of painting itself manipulates time, allowing Byers to transpose multiple perspectives into a singular, abstracted space. Utilizing paint to mimic glacial processes such as melt and flow, her paintings seek to intertwine past and present events.

Byers is an artist and an Associate Professor at Gustavus Adolphus College. She holds a Master of Fine Arts from the Minneapolis College of Art and Design. Her work has been exhibited at the National Galleries of Scotland, SCOPE International Art Fair, the Minnesota Museum of American Art, De Vos Art Museum, Hillstrom Museum of Art, University of Connecticut, Intermedia Arts, Guilford Art Center and The Soap Factory. Her work resides in several private, corporate and museum collections including the Weisman Museum of Art, Hillstrom Museum of Art, Target Corporation, Nordstrom Corporation, BMO Harris Bank, LPM Corporation, and Allina Health Center. Betsy Ruth Byers

This activity was made possible by an Artist Grant from the Prairie Lakes Regional Arts Council with fund provided by the McKnight Foundation.

 

 

Areca Roe Receives Tenure Teaching Position at Mankato Art Dept, Minnesota State University

Congratulations to Areca Roe, new Assistant Professor of Photography at Minnesota State University, Mankato Art Department.

Here is a recent interview with Areca Roe, “Faculty Focus” by the College of Arts and Humanities, Minnesota State University.

"Friday Faculty Focus" with Areca Roe, Assistant Professor of Photography from the Minnesota State University, Mankato…

Posted by College of Arts and Humanities – Minnesota State University, Mankato on Friday, December 15, 2017

 

& Ashely Peifer Paintings in “Fuse / Surprise Party”, Opens Jan. 6th">Tara Costello & Ashely Peifer Paintings in “Fuse / Surprise Party”, Opens Jan. 6th

Rosalux is pleased to present new work by local painters Tara Costello and Ashely Peifer.

Public Reception: Saturday, January 13, 6-9 pm
Exhibition runs through January 6-28, 2018

In Fuse, Tara Costello’s paintings explore the malleability of perspective, subtle documented shifts in time merging to create landscape in an abstract form. Her work searches for unexpected beauty in the relationships between rich textures and primitive mark. She is interested in the way multiple perspectives live, move and shift within the same moment. The spontaneous is art is complete absorption in the paintings that is fresh. The freshness holds the emotion, emotional energy evokes, assembles, accepts, and rejects memories, images, observations and works them into a whole.

Tara Costello lives and works in Minneapolis, MN. She has exhibited her work nationally and internationally at galleries including The Burren College of Art in Ireland, The National Galleries of Scotland in Edinburgh, Soo Local, Minnesota, Circa Gallery, MN, Bloomington Center for the Arts, MN, Sears Peyton Gallery, NY. Costello has numerous commissions including commercial and residential murals. rosaluxgallery.com/tara-costello

Tara Costello, Ballyvaughn, 2017, Venetian plaster, 30” x 32”
Web TaraCostelloBallyvaughn

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In surprise party, Ashely Peifer’s mixed media paintings on paper, panel, and shaped plywood to explore the distortion of memory over time. Can nostalgia over-beautify a memory beyond recognition? The paintings and sculptures grasp at the blurry edges of memory, attempting to transmute the non-material into haptic experience.  Sunny childhood memories appear in repeated shapes throughout the work: jump ropes, forts, garden edges, hula hoops, coloring, and candy. Willful optimism is the goal and it is achieved through embracing nostalgia and translating it into the realm of pattern, color, and form.

Ashely Peifer is an artist and textile designer living in Minneapolis. She holds an MFA in Painting from the Minneapolis College of Art and Design and a BA in Visual Art from Taylor University in Indiana. She has exhibited nationally and internationally including solo shows at Galleria Daniele Agostini in Lugano, Switzerland and Burnet Gallery in Minneapolis, Minnesota. Her paintings are represented by Galleria Daniele Agostini in Switzerland, Uprise Art in New York City, and she is a member of Rosalux Gallery in Minneapolis. Her work has been featured in New American Paintings, the Urban Outfitters blog, Design*Sponge, and Maake Magazine, as well as numerous art blogs and digital magazines. ashelypeifer.com

Ashely Peifer, tumble quilt, 2017, mixed media on panel, 32” x 30”
Web AshelyPeifer Tumble Quilt

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Laura Stack at Circa Gallery, Dec. 2 – Jan. 13

LAURA STACK ‘s colorful organic ink paintings are in CIRCA GALLERY’s Winter Salon exhibit.
Group show including work by Circa Gallery Artists.

EXHIBITION DATES: December 2 – January 13, 2018
Info at circagallery.org/laurastack

Laura Stack creates ink paintings and collages that are an imagined view of artificial life or the
“new natural”. Her painting process begins by envisioning a fluid, bodily, cellular, or chemical world expressing its own laws of physics. Organic forms such as fungi and microscopic life and the biological processes of lava flow and branching inspire the painting imagery. She coaxes the ink across the paper’s surface, corralling, halting, spreading, and encouraging its direction. The ink shapes then morph into tendrils or bloom and disperse. Through physical gestures and the fluidity of the ink, she aims to create a sense of pulse and movement.

Stack’s work evokes contradictions – the embodiment of the natural and synthetic, the simultaneity of flatness and depth, and the illusion of movement within a still image. There is no logical reading of these paintings. They are a mirroring of the mysterious questions that define our changing relationship with the natural world.  See more of Laura’s artwork at laurastackart.com

Fluere #27 / ink painting collage on panel / 20″ x 20″

Laura Stack Fluere 27

Laura Stack

 

Rosalux “Open Door 13” Group Show, Reception Dec. 9th

ROSALUX GALLERY is proud to announce it’s Thirteenth Annual OPEN DOOR Exhibit, opening on December 2nd, 2017.

Reception: December 9th, 7 – 10 pm
Exhibition Dates: December 2nd – 30th, 2017

OPEN DOOR is the one time of year when Rosalux opens its doors to artists outside of the collective in the form of an open call to bring inside what is happening outside of the gallery doors and give them an opportunity to share their work with our audience.

PARTICIPATING ARTISTS: Beth Barron, Natalia Berglund, Bennett Bossert, Jenny Brown, Mat Brutger, Jocelyn Burke, Yeonhee Cheong, Jessica Christy, Marina Dunbar, Torey Erin, Shawna Gilmore, Megan Herwig, Jeremy Jones, Betni Kalk, Julie Liger-Belair, Julie Nagle, Serena Perrone, Evie Richner, Amy Schissel, Maureen Shields, and Lyz Wendland.

JUROR: DANIELLE KRYSA, AKA The Jealous Curator thejealouscurator.com/blog  Krysa has a BFA in Visual Arts, and a post-grad in graphic design. She is the writer/curator behind the contemporary art site, The Jealous Curator (est.2009). Danielle has curated shows from Washington DC to Los Angeles, San Francisco to Toronto. In 2014 she published two books, titled “Creative Block” and “Collage”. Her third book, “Your Inner Critic Is A Big Jerk” was released in October 2016, and she is currently working a new book due out Fall 2018. Danielle has also had the great pleasure of speaking at TEDx, PIXAR, Creative Mornings, CreativeLive, and was interviewed for several video segments on oprah.com.

JUROR’S COMMENTS ON WORK SELECTED FOR THE EXHIBITION:

“A gorgeous grouping of art, hung together under one, simple, unifying theme – I love this stuff! I really do, and here’s why. The pieces in this show are the work of 21 artists from all over North America, each with their own unique use of materials and personal point of view. Every piece – from drawings to paintings to sculpture – tells its own story but together, in this particular grouping, the narrative gets even more interesting. A metal dog makes friends with a bandaid mandala, while a text covered mirror in the corner speaks quietly to an unconventional
scientific-esque timeline. Weird and wonderful, unique while strangely harmonious.”

WP Opendoor13

 

 

 

 

 

 

 

 

 

 

 

 

& Melissa Loop Painting Show Opens on November 4th">Ute Bertog & Melissa Loop Painting Show Opens on November 4th

Rosalux is pleased to present new work by local painters Melissa Loop and Ute Bertog.

Public Reception: Saturday, November 11, 6-10pm
Family Happy Hour: Saturday, November 18, 4-6pm
Exhibition Dates: November 4-26, 2017

Melissa Loop uses her travels to explore notions of authenticity, place, and spirituality through our experiences of other cultures. Follow the Moon is inspired by her trips to Central America in 2012 and 2015 when she visited ancient Mayan sites. While her paintings are based on reality, the compositions are purposefully invented in an attempt to recreate rare moments of spiritual transcendence one encounters when taking a pilgrimage to a sacred place. With this particular group of paintings, Loop focused on exploring the space between imagination, reality, spiritual transcendence, and dreams. By doing this, she is weaving a tale of a pilgrim coming out of a deep sorrow and finding the origin of life.

Tie Yourself to Me, 2017, Synthetic polymer on panel, 18 x 24″
WP Mloop Tie

 

 

 

 

 

 

 

 

 

 

 

 

 


In Voiceatscript
, Ute Bertog continues to explore the tenuous relationship between abstraction and language in her paintings to address themes of communication and its failure. For Voiceatscript she focuses on a deeply felt sense of speechlessness. Being speechless and without words to articulate one’s thoughts and opinions is seen either as a defiant gesture or – more often – as a sign of powerlessness. In order to regain a sense of power Bertog then reaches for readymade texts, quotes,  and cliches as a starting point for her paintings, only to lose them again in the painting process. The goal is to introduce the necessary space for questions, imagination and play to take hold to freely renegotiate original content.

Foreign echoes, 2017, Oil on canvas, 14 x 11″
1 WP Ubertog Foreign

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Edie Overturf, New Rosalux Gallery Member

We are happy to announce Edie Overturf as a new member of Rosalux Gallery.

Edie is an artist who works with prints, drawings and sculpture as a vehicle for storytelling. She has a M.F.A. from California State University and a B.F.A. from Southern Illinois University, Carbondale. Edie just received a Jerome Emerging Artists Fellowship for 2016-2017 and exhibits her work locally and nationally. Along with her studio practice, she is a Visiting Assistant Professor of Printmaking at the University of Minnesota-Twin Cities.

“Through the narratives I create I question this act of storytelling and its effective outcomes on individual as well as cultural perspectives. Folktales, legends, religions, myths, fable, rumors: all  have been used to explain the unexplainable, as well as create social structures through tales of morality. The authorship and authority that the storyteller retains allows for embellishment and plausibility, and the direction in which this authority is used is dependent on the author’s agenda. Folktales, legends, religions, myths, fable, rumors: all  have been used to explain the unexplainable, as well as create social structures through tales of morality. The authorship and authority that the storyteller retains allows for embellishment and plausibility, and the direction in which this authority is used is dependent on the author’s agenda.”
Edie Overturf

Visit Edie’s website at edieoverturf.com

Screen+Shot+2015 11 18+at+3.25.00+PM

 

 

 

 

 

 

 

 

The End Completed
Edie Overturf The End Completed

Reluctant Savior, Woodcut and screenprint
300 2

 

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