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PRISCILLA BRIGGS’S Artist Monograph published by Daylight Books

PRISCILLA BRIGGS’S Artist Monograph Impossible Is Nothing: China’s Theater of Consumerism, published by Daylight Books

Impossible Is Nothing is a book of photographs that focus on constructed realities within contemporary China as they relate to ideas of luxury and status, with the West as a model of Capitalist values. At the same time, there are hints of what lies beneath the surface and the costs of global consumerism. Portraits, still life images, and urban landscapes, rich in detail, are woven together to create a lyrical ode to the optimism and imagination of contemporary China. Text contributors include Rob Schmitz (NPR foreign correspondent) and Susannah Magers (independent curator/writer).

A signed copy of the book can be purchased from Rosalux Gallery or from Priscilla’s website:
1 Rosalux PRISCILLA BRIGGS

Book cover “Impossible is Nothing” by PRISCILLA BRIGGS

2 Rosalux PRISCILLA BRIGGS Station Proof

Photograph by PRISCILLA BRIGGS





 

Amelia Biewald, Treats / John Gaunt, Rocking Chair

Amelia John

Rosalux Gallery, July 8th – July 30th 2017

Opening Reception: July 8th, 7-10pm
1400 Van Buren Street NE, #195
Minneapolis, MN 55413

Amelia Biewald:

In a style that has become distinctly her own, Amelia Biewald intertwines imagery of romantic and powerful female figures, animals, real and imagined histories, and landscapes. Employing a wide range of materials, she creates lands full of sensual and alluring surfaces and textures, often combining references to the Old Masters and Surrealism with contemporary culture. Biewald mingles fact with fiction to recreate fables or intrigues. She captures states of transformation and curious unions seeking the pinnacle of a supernatural beauty.

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Sausage Walkers, 2017, watercolor on rag paper, 11 x 11 inches.

In her upcoming show at Rosalux Gallery, Treats, Biewald paints her recent research into Renaissance eating and banquet culture. She creates scrumptious and alluring food presentations appropriate for the grandest dinner party. No grocery stores, no pre-packaged meats. During the Renaissance, if you could catch it, you ate it, and usually ALL of it. Let’s just say we are very picky and boring in our eating habits as compared to those of the 16th century…and the display of our comestibles is far less grand.

Artist Bio

Amelia works with a wide variety of materials creating painterly drawings and sculptural works, which often culminate in large multi-textural installations. She received a BFA from The Rhode Island School of Design and Goldsmith’s College, University of London and then pursued installation artwork at the Minneapolis College of Art and Design where she received her MFA. She has received various artist awards, residencies and fellowships for her work including The Skowhegan School Of Painting & Sculpture Residency, a Bush Foundation Fellowship and a Jerome Foundation Fellowship. She recently completed artist residencies at Art Garda, Sirmione, Italy and The Wassaic Project, NY. Amelia’s solo exhibition Autour De La Fin Du Monde was on view at The Soo Visual Arts Center in 2016.

John Gaunt

I have an empiricist approach to making. In recent years I have been developing a kind of “graphic scaffolding” inspired by weather and the shifting architecture of rivers. This scaffolding or intuitive gesture has become a malleable motif for me across artistic processes – allowing me to generate new combinations of abstract structures, illusionistic spaces and diagrammatic drawing. The accumulation of this practice is beginning to yield a kind of personal topology.

Mend
Mend, Oil on Canvas, 22″ x 26″

Artist Bio

John Gaunt has been active in university teaching since 1995. Educated in the United States and abroad, he maintains a studio practice in Minneapolis that embraces generative processes through painting, drawing and model building. Gaunt is a member of Rosalux Gallery in NE Minneapolis where he exhibits his work annually.

Building on a career that began as a realist painter, Gaunt has distilled his research into an abstract language that is at once gestural and restrained. Interested in the idea of painting and drawing serving as a proposition, the work offers closure yet resists naming – a desirable tension that occupies his current practice.

His work has been exhibited regionally and nationally and acquired in both public and private collections. He has held numerous visiting artist and guest lecturer positions including, the Burren College of Art in Ireland, the International Academy Neukloster Germany, School of Architecture and Urban Design at the University of Kansas, Gustavus Adolphus College, Cazenovia College, University of Minnesota, Hamline University, and University of Wisconsin Stout.



 
 

UTE BERTOG at Gallery 71

UTE BERTOG is showing her abstract paintings at Gallery 71 in Edina, MN. www.utebertog.com

Opening Reception: Wed, June 14, 6:30 – 9pm

Show Dates: May 11-July 28, 2017.
Gallery hours: Saturdays 1-4pm
More information at gallery71mpls.com

SEQUENTIAL showcases 4 Minnesotan artists that are interested in the inherent possibilities of working in series. Other artists in the exhibition are Jesse Hickman, Mary Gibney and Michael Cimino.

1 Ubertog

Ute Bertog at Gallery 71

2 Ubertog

Ute Bertog at Gallery 71

 



 

SHANA KAPLOW at Form+Content Gallery

SHANA KAPLOW  is a showing ink wall drawings at Form+Content Gallery, May 25-July 1.

Opening Reception:
Saturday, May 27, 6:00 – 8:00 pm

UNSTOPPABLE FORCE Women Artists, Here and Now is an exhibition by 5 exhilarating women artists. This exhibition was conceptualized by Vesna Kittelson and co-curated by Gallery members Vesna Kittelson and Mark Ostapchuk.  formandcontent.org
Photo: Install of Shana Kaplow’s work.

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Install of Shana Kaplow’s work at Form & Content Gallery.





 

Vivid Relics: Shawn McNulty and Michael Sweere

RosaluxPoster

Opening Reception: June 3 rd , 7-10pm
Exhibition Dates: June 3 rd -25 th 2017

Rosalux Gallery presents “Vivid Relics” – a new exhibition featuring the dynamic
paintings of Shawn McNulty and folk-inspired works by Michael Sweere. Each artist
creates work that commands the attention of the viewer, and both McNulty and Sweere
are featured in the U.S. Bank Stadium art collection.

Artery McNulty

Shawn McNulty’s signature abstractions have evolved over the past 20 years into a
more organic territory with some subtle ties back to his geometric pieces with rigid
edges. He utilizes a “shoe palette knife,” which allows him to work the canvas on the
floor with his feet, along with random tools like a Swiffer and pieces of plastic. The
result of this process is refreshing and innovative forms comprised of thick acrylic and
pumice, along with his masterful grasp of color theory. McNulty is essentially an action
painter, but there’s a heavy dose of energized color fields throughout his work, which
lend itself to a “calmness over chaos” vibe. His work can be found in private and
corporate collections all over the world including that of General Mills and President Bill
Clinton.

 

Musky Sweere

With the recent installation of his mural at the new Webber Park Library in Minneapolis,
Michael Sweere shifts gears and brings something completely different to Rosalux
Gallery in June. Mr. Sweere’s affinity of American folk art is evident in his newest
installation. A detour from his familiar mosaic work, the exhibition features a wide
range of polychromed (painted) woodcarvings. His characters – inspired
by imagination, native tales and urban folklore invite viewers of all ages to experience
the wonder of “Folk-O- Rama.”

Banner Images:

Tombstone, Shawn McNulty 40×80” (diptych) acrylic and pumice on canvas

Animal Woodcarvings, Michael Sweere – various sizes

Press Release Images:

Artery, Shawn McNulty, 40″ x 40″ acrylic and pumice on canvas

Muskie, Michael Sweere, Tin-wrapped woodcarving

 



 

Rosalux Gallery 15-Year Anniversary Exhibit

Rosalux Gallery Celebrating its 15-Year Anniversary featuring work of current and former Rosalux artists.
OPEN Art-a-Whirl weekend: Fri. 5/19 5:00-10:00pm, Sat. and Sun. 12noon-4:00pm.
Show Runs through May 28th.
Regular Gallery hours: Sat & Sun, 12-4pm.

2 Rosalux 15 Anniversary Full Show

 



 

Rosalux Artists receive MSAB Arts Initiative Grant

Roslaux artists Elaine Rutherford, Shannon Estlund, Betsy Alwin, and Melissa Loop received the 2017 Minnesota State Arts Board Arts Initiative Grant.  Congratulations!

Elaine Rutherford – mixed media painting  rutherfordelaine.wordpress.com

Shannon Estlund – painting and sculpture  shannonestlund.com

Betsy Alwin – betsyalwin.com

Melissa Loop – painting  melissaloop.com

Elaine Rutherford

 

 

 

 

 

 

 

 

Shannon Estlund

 

 

 

 

 

 

 

 

 

 

Betsy Alwin

 

 

 

 

 

 

 

 

Melissa Loop





 

Time/Keep : David Malcolm Scott and Rebecca Krinke

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David Malcolm Scott, Lake Superior Vista                         Rebecca Krinke, The Keep (detail)

Time/Keep : David Malcolm Scott and Rebecca Krinke

Exhibition: April 1 – 30, 2017
Opening Reception: Saturday, April 8, 7-10pm

Rosalux Gallery is pleased to announce Time/Keep, an exhibition of new work by David Malcolm Scott and Rebecca Krinke featuring a large-scale sculptural work by Rebecca and a suite of paintings and drawings by David. The exhibition brings together the artists’ shared interest in time and memory, with a particular interest in what can be remembered or recorded and what can only be sensed or imagined.

David Malcolm Scott presents a new series of works exploring time and place – featuring a 30’ long watercolor scroll that literally starts with the formation of galaxies and moves forward through terrestrial epochs. David then uses this piece with its timeline format to add small scroll paintings above and below to reveal memories and dreams of one person’s life, in this case, the artist himself.

Time and place are highlighted in different ways in David’s two other series on view: in Weekly Commute, vivid slices of the sky are seen framed by dramatic building silhouettes, and in the stylized landscapes, the deep time of geological formations are juxtaposed with the more fleeting forms of forests, grasses, cities, and skies.

Rebecca Krinke presents a large installation, The Keep, which creates a domestic, psychological space of wonder and terror. The Keep continues her series of bed sculptures, although here a charred 4-poster bed hangs from the ceiling, upside down, bound by black-feathered walls – becoming a more abstract container/portal of space. Stacks of her dozens of black bound notebooks are visible but inaccessible on the burned wood floor below.

“Keep” as a noun originated in the Middle Ages, and was a place used as a refuge of last resort should the castle fall to an adversary. Rebecca’s installation evokes questions about what we keep, where we keep, and the costs of keeping: memories, secrets, notebooks, relationships, possessions, houses…This work and her larger practice is both highly personal and collective – in its explorations of private, public, and liminal space.

 

For more info about the artists:

http://rebeccakrinke.com/
http://www.davidmalcolmscott.com/

Rosalux Gallery
1400 Van Buren Street NE, #195
Minneapolis, MN 55413



 

“Last Refuge” New Work by Eleanor McGough and a group show introducing three new Rosalux artists: Betsy Alwin, John Gaunt, Jim Hittinger

Our Show Image





 

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