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Edie Overturf, New Rosalux Gallery Member

ntWe are happy to announce Edie Overturf as a new member of Rosalux Gallery.

Edie is an artist who works with prints, drawings and sculpture as a vehicle for storytelling. She has a M.F.A. from California State University and a B.F.A. from Southern Illinois University, Carbondale. Edie just received a Jerome Emerging Artists Fellowship for 2016-2017 and exhibits her work locally and nationally. Along with her studio practice, she is a Visiting Assistant Professor of Printmaking at the University of Minnesota-Twin Cities.

“Through the narratives I create I question this act of storytelling and its effective outcomes on individual as well as cultural perspectives. Folktales, legends, religions, myths, fable, rumors: all  have been used to explain the unexplainable, as well as create social structures through tales of morality. The authorship and authority that the storyteller retains allows for embellishment and plausibility, and the direction in which this authority is used is dependent on the author’s agenda. Folktales, legends, religions, myths, fable, rumors: all  have been used to explain the unexplainable, as well as create social structures through tales of morality. The authorship and authority that the storyteller retains allows for embellishment and plausibility, and the direction in which this authority is used is dependent on the author’s agenda.”
Edie Overturf

Visit Edie’s website at edieoverturf.com

Screen+Shot+2015 11 18+at+3.25.00+PM

 

 

 

 

 

 

 

 

The End Completed
Edie Overturf The End Completed

Reluctant Savior, Woodcut and screenprint
300 2




 

Feral Fables Opens October 7th Featuring New Works From Areca Roe & Terrence Payne

Rosalux Gallery is proud to announce it’s newest exhibition, Feral Fables: O Pioneer & Family Fremds, featuring new work from artists Areca Roe and Terrence Payne. Feral Fables,  featuring new work from artists Areca Roe and Terrence Payne,  looks at the careless consequences of political and natural disasters, which echo loudly with each new inevitable iteration. Roe’s O Pioneer hearkens back to the style of photographs of the Western landscape from the late 1800s  documenting a new world of disasters and possibilities and reinterprets these notions through a modern lens. Paynes’s Family Fremds takes a hard look at how misrepresentations of faith have been used to tear apart traditional bonds of trust and fellowship over and again throughout history.  Rosalux will host a special artists reception on Saturday, October 7th from 7-10 PM which is free and open to the public.

 

PassengerPigeons

Passenger Pigeons, archival digital print, 2017 Areca Roe

 

Areca Roe’s O Pioneer series, consisting of large-scale photographs of miniature landscapes, references the work of landscape photographers of the 1800s in a tongue-in-cheek manner. These photographers surveyed the West in North America and brought back stunning imagery of splendor and bounty, but also helped propel the destructive  narrative of Manifest Destiny. The miniature fur-lined landscapes in Areca’s photos are in some ways as otherworldly and foreign as those brought back by the surveying photographers—images of strange rock formations, geysers, pristine waterfalls, and wide open plains—with the fake fur referencing the lure of potential bounty as well as the resulting devastation.

 

Ram Kisses

Your Lies Melt On My Tongue Like Sugar, oil pastel on paper, 36″ x 36″

 

Terrence Payne’s new body of work, Family Fremds, regards the hysteria of a community whose steady contentment has been riotously overturned by an upheaval of their faith.  Terrence uses the bruising physicality and aggravated playfulness of his large-scale oil pastel drawings to document the struggle between rational thought and irrational fears born of blindness as they swing to and fro on the pendulum of uncertainty.  He creates vibrant archetypical portraits using animals, costumed figures, and narratives to probe the value of faith and fellowship while maintaining a critical eye on those who would use a community’s convictions against them.   The humorous and empathetic allegories resulting from Payne’s creations may leave more questions than answers to his initial query, but will surely offer entertaining comforts for his audience nonetheless.

Save

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Tara Costello, John Gaunt, Shawn McNulty In ABSTRACT group show at Minnetonka Center for the Arts

Rosalux artists Tara Costello, John Gaunt, and Shawn McNulty are showing paintings in ABSTRACT, a group show at Minnetonka Center for the Arts.

Opening Preview: September 28th, 6:00-8:00 pm
Curators’ Talk and Tour: October 14th, 10:00-11:30 am.
Show Dates: Septemeber 29 – October 26
Location: Minnetonka Center for the Arts, Wayzata, MN
minnetonkaarts.org

Abstract Flyer



 

& Pryor Gallery, Silverwood Park, Minnesota State University">Betsy Alwin’s Sculpture at Kolman & Pryor Gallery, Silverwood Park, Minnesota State University

Betsy Alwin will show her concrete and metal sculptures at Silverwood Park, Kolman & Pryor Gallery, and Minnesota State University during September and October.

INFRA: Betsy Alwin at Silverwood Park
Infra is a new outdoor concrete and metal sculpture that will be shown on the grounds of Silverwood Park, Three Rivers Park District, in St. Anthony, MN.
Opening Reception
: September 14th from 6:00pm – 8:00pm.
Exhibition Dates: September 14th – October 21st. 

“My interest in casting lace concrete forms is derived from my recent and current body of work that incorporates lace and ceramic form. I wanted to combine the delicate nature of lace with the harsh durability and weight of concrete. The decorative lace texture combined with the contrast of blue and white refers to domestic ware but also allows one to see the forms in a different way.  These cast forms are combined with rebar, emphasizing an industrial and construction context. I am also excited to experiment with larger forms in an outdoor public setting. In this way, my work can engage more viewers for longer periods of time.The title, “Infra-,“ is derived from Latin meaning under or below. Besides being the prefix of infrastructure, I also take it as a way to connote what is there but not seen; what is taken for granted.

3 Betsy Card Flatten

 

 

 

 

 

 

 

 

 

 

 

 

BEYOND CANVAS: Group Sculpture Exhibition at Kolman & Pryor Gallery
Opening Reception: September 23rd from 7pm – 9pm.
Exhibition Dates: September 16th – October 28th.
More information at kolmanpryorgallery.com

cast lace concrete forms by Betsy Alwin
Infra Image

 

 

 

 

 

 

 

 

 

BETSY ALWIN participating in Faculty, Emeritus, Alumni, 150!
A group exhibition celebrating 150 years of Minnesota State University, Mankato.
Opens: September 28th, Reception: October 8th 3:00 -5:00 pm.





 

Direct Avoidance: John Diebel and Duane Ditty

Rosalux Gallery presents “Direct Avoidance” in September, featuring new work by John Diebel and Duane Ditty. “Direct Avoidance” explores the psychological shift that occurs when deliberate avoidance leads to surprising destinations. Each artist, working with his own personal language and with a diversity of technique and scale, presents work that transforms negative space into positive space, in a metaphorical sense as much as directly. Join the artists for an opening reception on September 9th from 7-10pm. The show will run through September 30th.

John Diebel’s cut paper and collage works began with the intention of being non-political–a reaction of psychic fatigue in the face of overwhelming current events. Crafting polychrome geometric forms from vintage colored and printed papers, and overlaying them onto whimsical photo collages, he offers a glimpse into parallel worlds where alternatives to our current debased state of affairs are possible. Diebel says that it only dawned on him well into producing these works that the mere imagining of different or better worlds has become a momentous political act in an era ruled by a handful of reckless oligarchs who have no one else’s better future in mind but their own.

Duane Ditty says of his work, “My paintings are large scale and contemplative in nature. I see painting as a very physical act and I often work on a human scale. My paintings are a direct example of the artists’ process and contain within them the record of their realization and implementation. The non-specific structural space of these paintings distances them from the noise of the outside world and allows for a contemplative respite. The works invite the viewer to relate on an intuitive and spontaneous level; without irony or jest they manifest a gravity and beauty often absent in our daily visual lives.”

Sample 002 72dpi

Demos in Absentia

Cut paper collage relief on photo collage, acrylic paint

7.75” x 8.5”

2017

John Diebel

 

 

88 Afternoon 72dpi 7 X 5.5.

Afternoon

Oil on canvas

76” x 62”

2017

Duane Ditty



 

Shannon Estlund and Jim Hittinger, Paintings and Drawings

GRAVEYARD SHIFT: Drawings/Paintings by Jim Hittinger
LOW VISUAL DISTANCE: Paintings by Shannon Estlund

Exhibition Dates: August 12-27, 2017
Opening Reception: Saturday, August 12, 7-10pm
Gallery Talk: Saturday, August 12, 7-8pm

Jim Hittinger, Procession, oil on canvas, 36 x 48”, 2017
Jim Hittinger

About Jim Hittinger’s GRAVEYARD SHIFT: Graveyard Shift explores a sparsely populated world littered with empty lots, depleted suburban subdivisions, and chain-link fences tracing the confines of sites where things once were. Beacons and warning signs mark isolated islands of activity within the void: flags, sirens, neon markings on diseased trees, used car lot inflatable dancing men. The entire world is the outskirts of somewhere else. On the surface the world appears lifeless, but its inhabitants go through the motions of living; they celebrate holidays, bury their dead, and play baseball.

Snowman, 2016
Snowman

Jim Hittinger received a Bachelor of Fine Arts degree from Wayne State University in Detroit, Michigan in 2012 and a Master of Fine Arts degree from The University of Minnesota in 2015. His work has been widely exhibited locally and nationally, including recent exhibitions at Whitdel Arts in Detroit, Tyler School of Art in Philadelphia, and Rosalux Gallery in Minneapolis. He currently teaches in the Department of Art at The University of Minnesota. Jim Hittinger

Shannon Estlund, Untitled, oil on canvas, 48 x 60”, 2017 Shannon Estland

 

 

 

 

 

 

 

 

 


About Shannon Estlund’s LOW VISUAL DISTANCE:
Shannon Estlund’s abstracted landscapes are inspired by Rice Creek and the surrounding forest near her home in Fridley, Minnesota. The title Low Visual Distance refers to the way that dappled light, physical obstructions, and abstractions of form complicate an objective understanding of these spaces. Instead, the paintings offer a psychological interpretation of each site. The subjects of the paintings, which include downed trees, stagnant pools, and tangles of brush, demonstrate various states of growth and decay. Subjects are rendered using overlapping imagery, expressive color, repeating pattern, and abstracted form as a metaphor for a subjective and ever-changing perception of reality. The paintings in this exhibition represent a practice in becoming comfortable with the unknown and appreciating the impermanent and interdependent nature of all things.

Fifty Three Degrees, 2017
Fifity Three Degrees

Shannon Estlund holds a Master of Fine Arts in Visual Studies from the Minneapolis College of Art and Design and received her B.F.A. from the University of Florida. Shannon currently teaches at the Minneapolis College of Art and Design and Augsburg College. She has received several grants for her work from the Minnesota State Arts Board and the Community Foundation. She has exhibited her work nationally and internationally at museums and galleries including the Crisp Ellert Art Museum (FL), the Elmhurst Art Museum (IL), Soo Visual Art Center (MN), the Cummer Museum of Art and Gardens (FL), and at the National Galleries of Scotland. Her work has been featured in New American Paintings and Studio Visit magazines. Shannon Estlund is a fiscal year 2017 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund. Shannon Estlund

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Jim Hittinger in one-night show benefit NARAL Pro-Choice, July 21st

JIM HITTINGER is participating in a one-night show to benefit NARAL Pro-Choice of Minnesota on July 21st , hosted jointly by The Porch Gallery and Hair and Nails Gallery .
Show Location: Hair and Nails Gallery , 2222 1/2 E. 35th St., Mpls, MN 55407

Join NARAL Pro-Choice Minnesota at the Hair and Nails Gallery for our 2nd Annual Art Salon. Come to mingle, admire and purchase the work of local artists, and support a good cause! 100% of proceeds go to NARAL Pro-Choice Minnesota.
There is a suggested $10 donation at the door.

Jim H





 

Shawn McNulty in “More or Less Paint” at 410 Project in Mankato, MN

SHAWN MCNULTY’s abstract paintings are featured in “More or Less Paint” at the the 410 Project , an exhibition of eight Minnesota painters.
Exhibition Runs: July 7-23, 2017

Artists Exhibiting:
Brian Frink, Amber Rahe, Pam Bidelmann, Bryan Holland, Mat Ollig, Shawn McNulty, Shane Warren, Keren Kroul.

The 410 Project curated this exhibit of eight Minnesota artists who are all working in the medium of paint but explore its usage in a variety of ways, showing that defining ourselves as a painter is not just applying paint to a canvas, but creating a color, a texture, a narrative.

The 410 Project
523 South Front St.
Mankato, MN 56001
Gallery Hours: Wed. – Sat. 2-6pm and Sunday 1-4pm.

Paintings by Shawn McNulty

Shaun 410show





 

Betsy Alwin in “Eight Artists” at 369 Gallery, St. Paul, MN

Betsy Alwin recently exhibited her sculpture in “Eight Artists”, a group show at 369 Gallery in St. Paul, MN.

Eight Artists is a diverse selection of new works exhibited at Space 369 through an open call for art. These artists were selected by the juror, Candice Hopkins. The exhibition included painting, sculpture and performance works.

space369.online is an alternative, non-commercially funded, arts project space located in Saint Paul. This exhibition is made possible through the support of the Knight Foundation.

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“Buttress” by Betsy Alwin




 

New Rosalux Member, Ashely Peifer

We are happy to announce that Ashely Peifer is a new member of Rosalux Gallery.

Ashely is an abstract painter who graduated with a MFA from the Minneapolis College of Art and Design (MCAD) in 2013.

She exhibits her work locally, nationally and internationally and is currently showing paintings at Galleria Daniele Agostini Gallery in Lugano, Switzerland. More info at danieleagostini.ch   

Birthday Bunting 12x12 600x600

“birthday bunting” by Ashely Peifer





 

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